AMJ Watches Blog https://amjwatches.co.uk/blog AMJ Watches Sun, 16 May 2021 10:47:12 +0000 en-GB hourly 1 https://wordpress.org/?v=5.7.4 Hamilton At The Movies https://amjwatches.co.uk/blog/hamilton-at-the-movement/ https://amjwatches.co.uk/blog/hamilton-at-the-movement/#respond Mon, 18 Jan 2021 18:46:58 +0000 https://amjwatches.co.uk/blog/?p=2540 Hamilton Watch Company at the Movies. No other luxury watch company can claim to have spent as much time on cellulose media as the American founded Hamilton Watch Company, now owned by the industry behemoth Swatch. What is remarkable about this is that Hamilton have never paid for so-called product placement in visual entertainment. Instead, …

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Hamilton Watch Company at the Movies.

No other luxury watch company can claim to have spent as much time on cellulose media as the American founded Hamilton Watch Company, now owned by the industry behemoth Swatch.

What is remarkable about this is that Hamilton have never paid for so-called product placement in visual entertainment. Instead, the brand’s finest have been chosen by those that have worn them or those that are responsible for the look of those that have worn them.

Props can be as vital in visual story telling as the cast and script. Films and TV series are often reliant on time biased story lines. It follows that the most discernible manifestation of this dramatic inference is wrist watches on the screen. These portable time trackers can synchronise events and establish plausibility in an extraordinary situation.

I’m sure I am not alone, in the watch collecting fraternity, by being a constant wrist spotter throughout film and TV. The continuity supervisor needs to be on their game when I’m watching on, because I will spot if the time on a watch is incorrect. I now it’s not normal. But, then again, who is? I will have to wear a relevant timepiece for a film I’m watching. Be it a vintage piece when watching a Hitchcock classic or my BelowZero when watching The Martian, Central Intelligence or Predators. You may think this would detract from the escapism, but it just doesn’t. Instead this situation increases my involvement with a particular timepiece. I most definitely do not think I am James Stewart or Dwayne Johnson whilst wearing either timepiece after the event, as has been inferred by other watch “enthusiasts”. (Wearing a Submariner or Pro 300 will not turn Big Jim from accounts into James Bond from MI6. It just won’t). For me personally, I simply have a greater affinity with something I have paid a not unreasonable amount of money for. Although, with Hamilton its never as much as you would expect to pay. I love it when a watch has a story to tell. Even if it’s not my story.

Hamilton BelowZero (Reference H78585333)

I understand the need for product placement in the watch industry. It does work. However, for me, it has to have integrity. The more abuse and demands placed on a wrist watch throughout any form of visual entertainment the better. It’s as if the person on screen is life testing the watch for us. This doesn’t necessarily need to be restricted to the big and small screen. Hamilton is timekeeper to the Red Bull Air Races. In this incredibly physical sport Nicolas Ivanoff, Hamilton Ambassador, wears one of their X-Wind timepieces whilst performing.  As a product placement this is a brave association, but one that is emboldened by relevance. And, this really is extreme testing at its most exuberant.

Nicolas Ivanoff | Hamilton Story
Nicolas Ivanoff wears a Khaki X-Wind reference H77755533

Hamilton’s timepieces have been prominently featured in over 500 films, starting way back in 1932, as seen in Shanghai Express starring Marlene Dietrich. Hamilton’s Flintridge and a Piping Rock (now the Boulton) were viewed within requisites to the plot.

Clive Brook wore his Hamilton Flintridge in Shanghai Express (1932)


Some timepieces from Hamilton’s collection are so recognised for their on-screen presence they have become monikered in reference to a particular film or character associated therewith. These include The Murph (see below), the Men In Black (Ventura), the Jack Ryan (Khaki Field Black), The Frogman (named after the 1951 film The Frogmen), the Ventura Elvis, the Interstellar Pilot and the Kojak (see link below).

https://amjwatches.co.uk/blog/hamilton-pulsar-psr-2020-re-edition/

 
Tom Clancy's Jack Ryan watch 2019 | Hamilton Story
Jack Ryan Khaki Chrono (TV series, not film). Reference H71626735
Frogman Titanium Auto-Khaki Navy Frogman Titanium Auto H77805335
Khaki Frogman Titanium (reference H77805335)

Ventura Elvis80 Quartz-The Elvis80 Quartz comes in a stainless steel case and a black dial. This Man watch has a stainless steel silver strap and is 50 meters water resistant
Ventura Elvis80 Quartz (Reference H24551131)

Pilot Day Date Auto-The Pilot Day Date Auto comes in a stainless steel case and a black dial. This Man watch has a stainless steel silver strap and is 100 meters water resistant
Interstellar Pilot (Reference H64615135)

For me, the most important wristwatch in a film ever has to be the Khaki Pioneer/Field witnessed in the superb 2014 film Interstellar. This bespoke watch was created by Hamilton at the request of Legendary Pictures. 


After its dramatic and profound inclusion in the film it drove fans to distraction as it was not a catalogue entrant that could be simply purchased over the counter. 

That was until 2019, when Hamilton caused much excitement on social media with their announcement #wemadethemurph. I knew I had to own one. Please see my full review below:

https://amjwatches.co.uk/blog/hamilton-murph-khaki-field-review/

Please not when I wrote the above it had not been widely recognised that Hamilton had featured in 1932 film Shanghai Express.

The Interstellar “Murph” watch was not the first custom-made timepiece for a film commissioned to Hamilton. In Stanley Kubrick’s 1968 blockbuster, 2001: A Space Odyssey, the director personally asked Hamilton for a one-off desk clock and watch. The cool and outrageous X-01 was created. 

Speaking of “custom-made”: Christopher Nolan once again turned to the horological boffins at Hamilton when he required a special timepiece with a unique function that was not provided by the brand in their catalogue for his 2020 film Tenet. The chosen watch was the incredible value and under-appreciated Titanium Below Zero. The special function was a digital countdown timer. This amalgamation took months to perfect. There will be no spoiler alerts in this article so I will simply say that there is a blue version and a red version which are integral to Christopher Nolan’s usual paradox-filled, time-jumping narrative. Even if the Belowzero is not for you I urge you to watch Tenet. Insterstellar is still just my favourite of his award-winning cinematic offerings, but Tenet comes a close second.

A picture containing watch, close

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There will only be 888 (a palindrome to mirror the movie title) of each limited edition colour.

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I chose the Red version. Which would you choose? It may be factored by your favourite representation of time, as portrayed in Tenet. 

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The Hamilton Belowzero Tenet Limited Edition gets me pumped up.

A caveat copied from the Hamilton website:

*Please note: The special edition Khaki Navy BeLOWZERO is powered by an automatic movement and does not feature the digital screen that appears on the custom-made prop watch we created for TENET.

Spoiler Alert: This is the making of the watches and their relevance within the story telling of Tenet.

https://www.youtube.com/watch?v=kKjksz2QHsA

For all you completists out there, the Hamilton watch worn by The Protagonist, at the beginning of Tenet, before he donned the BelowZero is the Hamilton Jazzmaster Seaview Chrono Quartz, reference H37512131.

Hamilton Watch American Classic Jazzmaster Seaview Chrono Quartz H37512131
Another smart choice by the props department who worked on Tenet.

In many on screen situations historical pertinence is key to circumstantial authenticity and, therefore, believability. An example of this factual placement was in the 2001 film Pearl Harbor, which featured a Hamilton Khaki Field Mechanical. A watch that is still available today. Many US Servicemen were issued with this very watch throughout World War II.

Khaki Field Mechanical (reference H69439363)

Major TV productions are also following this trend by endowing their lead characters with Hamilton wrist watches. Such as Carrie Mathison in Homeland (Jazzmaster Lady), Dr Gregory House in, errm, House (Khaki Field King Auto), Jack Ryan in, errrm, Jack Ryan (see above), Eva Geller in Messiah (Jazzmaster Quartz), Ken Cosgrove (Ventura Electronic) and Pete Campbell (Sputnik) in Mad Men and Joe Krutel in Ballers (X-Wind).

Critical timing for Carrie Mathison, in the final season of Homeland, was entrusted to Hamilton

Dr Gregory House (Hugh Laurie) wore a Khaki King Auto, H64445533 

Eva Geller (Michelle Monoghan) in Messiah wore a Jazzmaster Quartz 

Ken Cosgrove (Aaron Staton) wore a Hamilton Ventura Electronic in Mad Men

Joe Krutel (Rob Corddry) in Ballers wore an X-Wind in

The most conspicuous examples on the big screen have been:

  • The Ventura Electric, as worn by the King of Rock and Roll, Elvis Presley, in the 1962 film Blue Hawaii.
  • Pearl Harbor (Khaki Field Mechanical). Also see above.
  • A Good Day To Die Hard (John: Jazzmaster Viewmatic Auto and Jack: X-Patrol Auto)
You’ll have to trust me. It’s a Jazzmaster Viewmatic (reference H32715531)

Jack McClane (Jai Courtney) in A Good Day To Die Hard wore an X-Patrol, reference H76556731 

 

  • Interstellar (Bespoke Khaki Pioneer and Khaki Pilot). See above
 
  • The Martian (BelowZero)
  • Live and Let Die (LED P2)
 
  • Independence Day Resurgence (X-Wind Auto)
 

Further wrist spotting reveals Hamilton watches on most of Hollywood’s A-list celeb fraternity:

  • Mark Wahlberg in Italian Job (Khaki Field Chronograph)
  • Will Smith in I Am Legend (Khaki X-Wind)
  • Adam Sandler in Click (Khaki Field on bracelet)
  • Liam Neeson in Taken 3 (Jazzmaster Quartz)
  • George Clooney in Ocean’s Eleven (Linwood Viewmatic)
  • Michael Keeton in American Assassin (Khaki Pilot)
  • Dwayne Johnson in Central Intelligence (BelowZero)
  • Eddie Murphy in Dolomite Is My Name (Vintage mechanical gold filled)
  • Chris Pine in Shadow Recruit (Khaki Titanium)
  • Robert Downey Jr in Spiderman: Homecoming. (Ventura XL Skeleton)
  • Richard Gere in Autumn In New York (Ardmore)
  • Edward Norton in Fight Club (Jazmaster)
  • Ben Affleck in Daredevil (Linwood)
  • Jennifer Connolly in Blood Diamond (Khaki King)
  • Jessica Alba in Fantastic Four (Lloyd Chrono)
  • Alec Baldwin in The Aviator (Dodson)
  • Russell Crowe in A Beautiful Mind (Wilshire)
  • Michelle Pfieffer in One Fine Day (Benton)
  • Robert Wagner in Frogmen (Frogman)
  • Tommy Lee Jones in U.S. Marshalls (Khaki King)
  • Robert Shaw in Force Ten From Navarone (Broadarrow)
  • Keanu Reeves in Chain Reaction (Khaki King)
  • Steve Carrell in Get Smart (Field Multi Touch)
  • Sylvester Stallone in Cliffhanger (Khaki)
  • John Lithgow in Cliffhanger (Quartz Chronograph)
  • Matt Damon in The Talented Mr Ripley (Ardmore)
  • Steve Martin in Pink Panther (Boulton)
  • Ashton Kutcher in Killer (Khaki Field Auto Chrono)
  • Gene Hackman in Spartan (Khaki Field Mechanical)
  • Viggo Mortenson in The Road (Jazzmaster Viewmatic)
  • Chris Rock in Bad Company (Khaki Chronograph)
  • Ewan McGregor in Big Fish (Khaki Field Quartz)
  • Antonio Banderos in Homeland Security (Khaki GMT)
  • Reese Witherspoon in Legally Blonde 2 (Jazzmaster Lady Pink)
  • Samuel L Jackson in SWAT (Khaki Multi Touch)
  • Ryan Reynolds in Buried (Khaki Field Officer)
  • Rene Russo in Tin Cup (Khaki Sub Medium)
  • Robin Williams in Bicentennial Man (Everest)
  • John Travolto in The General’s Daughter (Khaki Chrono)
  • Danny Glover in Lethal Weapon 4 (Ardmore)
  • Anthony Hopkins in The Edge (Broadway Pocket Watch)
  • Kurt Russell in Vanilla Sky (Linwood Viewmatic)
  • Meg Ryan in City Of Angels (Boulton)
  • Kevin Bacon in Where The Truth Lies (Vetura)
  • Paul Walker in Into The Blue (Khaki Navy GMT)
  • Gwyneth Paltrow in View From The Top (American Traveller)
  • Jeff Goldblum in Independence Day (Carlisle)
  • Nicolas Cage in Windtalkers (Khaki)
  • Tom Hanks in You’ve Got Mail (Boulton)
  • Jeffrey Wright in Quantum of Solace (Khaki X-Wind)
  • Giancarlo Giannini in Quantum of Solace (Khaki Field)

To name but a few.

In recognition of this unequalled accomplishment, Hamilton recently introduced the superb Jazzmaster Regulator Cinema, reference H42605731, with subtle design cues that pay homage the world of movies. The separated hours and minutes displays are reminiscent of the reels from a vintage cine camera. This gorgeous and mechanically unique timepiece is aimed at someone with Cinephilia (an actual condition).

Jazzmaster Automatic Watch Regulator - Black Dial |Hamilton Watch ...
Jazzmaster Regulator Cinema Automatic watch
Jazzmaster Regulator Cinema Automatic watch

To give something back to the movie industry Hamilton Watch Company has created the “Behind The Camera Awards”.

This unique scheme within the industry aims to recognise the tireless and pioneering work that goes on behind the scenes, or behind the camera. If these unsung heroes have done their jobs properly you will not notice. Set designers, costume designers, prop masters and visual effects specialists are all, rightly, celebrated.

The 2018 winners were:

Sound editors: Erik Aadahl and Ethan Van der Ryn.
Costume designer: Mary Zophres, First Man.
Director of Photography: Robert Richardson, A Private War.
Director: George Tillman Jr, The Hate U Give.
Visual Effects Supervisor: Dan DeLeeuw, The Avengers.
Producer: Graham King, Bohemian Rhapsody . 
Cinematographic achievement: Gabriela Rodríguez, Roma.
Revelation Producers: Alison Dickey, The Sisters Brothers.
Breakthrough Director: Paul Dano, Wildlife.
Production Designer: Hannah Beachler, Black Panther.
Original Song: Troye Sivan, Boy Erased.
Screenwriter: Daniel Stiepleman, On the Basis of Sex.
Editor: Barry Alexander Brown. Infiltrated into the KKKlan.

With over 500 films featuring Hamilton wrist watches I was only ever going to be able to scratch the surface of Hamilton timepieces in the movies.

The next time you see a watch on the wrist of a main character check it out. Chances are it will be a Hamilton, as chosen by the actor, props department, writer or studio.

Right, I’m off to see my Murph assist in saving the whole of humankind.

Thank you to productplacementblog.com and wristwatched.com for some of the information within.

All words by Richard Atkins. All images by the author and Hamilton, unless otherwise stated. This article may not be reproduced in whole or in part without the author’s permission.

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The Tag Heuer Isograph Calibre 5 https://amjwatches.co.uk/blog/the-tag-heuer-isograph-calibre-5/ https://amjwatches.co.uk/blog/the-tag-heuer-isograph-calibre-5/#respond Thu, 07 Jan 2021 14:45:58 +0000 https://amjwatches.co.uk/blog/?p=2480 Tag Heuer Autavia Isograph.  An introduction, and why the Autavia Chronometer is still a superb timepiece. Introduction Tag Heuer could quite easily follow some of the other leading luxury watch brands if they wanted to. What I mean by this throw away, incongruous statement is that their popularity within the luxury watch industry has few …

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Tag Heuer Autavia Isograph. 

An introduction, and why the Autavia Chronometer is still a superb timepiece.

Baselworld 2019: TAG Heuer Autavia Isograph - luxury watch

Introduction

Tag Heuer could quite easily follow some of the other leading luxury watch brands if they wanted to. What I mean by this throw away, incongruous statement is that their popularity within the luxury watch industry has few peers, with regards to units sold. Some brands epitomise “resting on your laurels”. Fair enough, they are incredibly popular and offer fantastic, proven quality. I do feel, though, that the members of their vestigial design department must have the easiest jobs in the industry. 

“So, Henri, how are we going to sell millions of our divers watch this year?”. 

“Well, Claud, how about we make a green version?”. 

“Errm, is that it?” 

“Yep, and next year we’ll reduce it by 1mm in diameter. Right, I’m off to rest my overworked genius on the ski slopes”. 

I appreciate this is flippancy in the extreme and slightly exaggerated, and I may seem biased through nonchalant ambivalence, but my point is that Tag Heuer never fail to create something bespoke and technologically ground-breaking each year. Indeed, Tag Heuer were the brand that I immediately searched for during the first morning of every Baselworld. And I was never disappointed with their phenomenal pioneering offerings that wowed the masses with technological mastery.

Previous, “Oh, wowsers, I’d love one of them” moments, that left me devoid of appropriate superlatives, came from the following:

Carrera Mikrogirder with 5/10000th of second chronograph

The Watch Quote: The TAG Heuer Mikrogirder watch - Reinventing the  mechanical regulator with a 5/10,000th of a second chronograph

Carrera Mikrograph 100th of a second

TAG Heuer Carrera Mikrograph 1/100th | TAG Heuer

Grand Carrera Pendulum

Monaco V4

Last year, which was, sadly, the last year of Baselworld, was no exception, when Tag Heuer proudly announced the Autavia Isograph. A simple three hand Pilot inspired aesthetic belied the brand-new proprietary material development securely held within. The headline for the 2019 Autavia was the Isograph movement. This world first took the tried and proven Calibre 5 work horse and added a carbon composite hairspring which was fully developed in-house by Tag Heuer, and was originally witnessed in the Limited Edition Carrera Heuer 02T Tourbillon Nanograph, which retailed for £20750.

TAG Heuer Carrera Calibre Heuer 02T Nanograph 45mm Mens Watch  CAR5A8K.FT6172 | Mens Watches | Watches | Goldsmiths

Tag Heuer have stated that this all new Isograph technology offers multiple benefits over the traditional hairspring. These include better impact resistance, insensitivity to magnetism, increased impact resistance, reduced influence of gravity and targeted compensation of the temperature effect. All these factors will normally have a detrimental effect on the humble anchor escapement, resulting in cadence interference and regulation degradation. Unlike other silicon-based hairsprings the Isograph spring is relatively easy to manufacture in volumes, meaning no inflated price points that we usually endure for ground-breaking, world leading technological advancements. 

As a result, thankfully for average earning professionals such as myself, this extraordinary and visually striking timepiece was affordable, ranging from around £3000 to £3500 in steel or bronze.

Introducing the TAG Heuer Autavia Isograph | Wrist Watch Review
TAG Heuer - Autavia Bronze | Time and Watches | The watch blog

The Autavia, as a nomenclature, has been part of Tag Heuer’s history since 1933 when it was initially introduced as a dashboard timer. Autavia being a portmanteau of Automotive and Aviation. At a time when Heuer were only producing high quality chronographs the Autavia was born into a market created by the exponential interest in Automobile racing and Aviation. These robust and legible timers were an instant hit and allowed Heuer to grow into a household name by the 1960s, just before the quartz crisis threatened to financially cripple the brand. Thankfully, Technique d’Avant Guarde (TAG) recognised the enthusiasm in the Heuer family to still make high quality timepieces and bought the brand in the mid-1980s. A purchase not simply bought out of business acumen. Tag Heuer have now become one of the largest purveyors of high-end watches, by volume, in the world. Many do not realise that the catalogue of Tag Heuers we see today are homages to Heuer timepieces from before the Swiss-wide financial difficulties of the 1970s. Wrist watches such as the Monaco, Carrera, and Autavia were all Heuer models.

Sadly, in early 2020 when we were all wondering what had become of this aspirational timepiece, the announcement came from Tag Heuer that the carbon composite hairspring was not quite ready for production in such high volumes and to appease the waiting public, who had so admired the 2019 Autavia for its beautifully simplistic and stylish good looks, a Chronometer rated version would be released at circa £400 less than the original. This was a potentially awkward situation for Tag Heuer but I believe that all is not lost as the Autavia Chronometer is a stunning timepiece in itself and definitely worthy of your attention if you were interested in the Isograph version. Shall we find out?

Specification

The steel and bronze cases are both 42mm in diameter and 13.5mm thick. This size seems to have been optimised for both legibility and comfort.

The large crown, with engraved logo, is also a design-nod to pilots watches of yore. Originally augmented to create maximum user friendliness whilst wearing pilot’s gloves, this carry-over proffers a point-of-interest design cue coupled with maximum grip.

The bi-directional bezel is constructed from the very same bronze and ease of use is assured by a coin edge grip. The insert is produced out of highly scratch resistant ceramic in a lustrous black. The slightly rounded profile is reminiscent of the Blancpain Fifty Fathoms. The MIL-SPEC re-issue version being my favourite dive watch of all time.

The desirable pilot’s dial is accomplished with Superluminova© printed Arabic numerals and peripheral applied hour markers. The polished rhodium plated sword hands complete a stunning platform for the introduction of the new Autavia.

Unlike many beige, faux patina Superluminova© coatings on the market, the Autavia Chronometer manages to look pertinently cool during the day with bold brilliance during the night.  The white Superluminova© on the all-steel models is just as impressive after lights out.

The mildly domed sapphire crystal allows perfect legibility across the entire dial with zero distortion whilst adding a vintage inspired design inflection.

The genius strap/bracelet change facility is a bonus, and an element rarely seen at this price point. Given that the blue dial alone has proven to look superb on blue strap, black strap, brown strap and steel bracelet this adds flexibility of both visuality and practicality.

Simply pull on the recessed button and the strap is released. This is the most satisfactory solution to a given issue with wrist watches I have ever used.

Conclusion

The new Autavia Chronometer family is an eclectic bunch of dial colours and case materials. However, for me, the green dial, bronze case is definitely the stand-out model. Bronze on its own, especially after a little bit of unique and natural patina, is a wonderfully warm and charming case material and the chosen gradient green is very special and exclusive. There are a lot of revolting greens available but, thankfully, the Autavia Chronometer employs none of them, going from a deep verdant green to brighter, but not too bright, olive. The gradient brown dial is also spectacular and works seamlessly with the bronze dial and brown ceramic bezel. It is the same with the gradient blue, which radiates from deep navy blue to a brighter royal blue. Even the black to grey dial, which is my least favourite shares the same grained texture and fumé style that elevates these glorious timepieces from the hundreds of wannabee pilot’s watches on the market. 

TAG Heuer Autavia
TAG Heuer Autavia
TAG Heuer Autavia

Viewing the Autavia Chronometer is a gratifying indulgence. I’m sure you’ve already made your own mind up about that and don’t need me to opinionise on your behalf. However, one important element of ownership is wearing a watch and I can categorically declare that the new Autavia is an absolute pleasure to have upon the wrist. The soft, supple leather offers immediate tactile joy. The clever interchange facility of each strap and bracelet also allows for straps to be swapped at will by the owner to create diverse modifications on a whim of impulsiveness or to appropriate it to a sartorial situation.

My only real negative comment about the Autavia, well more of a bemusement, is the use of the moniker Autavia for a watch that is so Aviation inspired with zero Automotive inclinations. This is emphasised even more by the addition of a LASER engraved propellor inside a steering wheel on the case back, according to the official press release. I can clearly see the propeller, but the steering wheel eludes me. It doesn’t add up. Historically, the dash-board, and subsequent wrist worn, Autavias have all been chronographs. These were all endowed with delightfully legible dials to allow both pilots and drivers alike to peruse the timing information they require in non-perfect conditions, usually resulting from propellor vibrations and vehicular impacts. 

The Aviation inspired case back

To conclude, the Autavia Chronometer isn’t just an important watch for Tag Heuer it is significant for all of us. To address the elephant in the room, the lack of Isograph carbon composite hairspring may seem to be a disappointment. This immediately places the watch at a disadvantage because we were waiting for something else. However, I would argue that the Autavia Chronometer has all of the charm and character of the original Isograph release with the very same peace of mind length of warranty and a Chronometer certification, guaranteeing the owner accuracy as confirmed by a third party impartial and respected test facility in Switzerland, for a lot less money than the Isograph. So, what have we actually lost in this announcement? That depends on your emphasis on technology. As I always say to a prospective luxury watch customer: Primarily, you need to like the look of a timepiece, then you need to actually enjoy the feel of it on your wrist, before looking at the specification versus price point comparison to other watches.. The Autavia Chronometer is both gorgeous to look at and one of the most comfortable watches I have ever worn. Throw in the chronometer status, sapphire glass and ceramic bezel for peace-of-mind long term ownership plus a very clever on-the-fly strap change system for easy aesthetic transformation, and we are presented with one of Tag Heuer’s flagship models in my opinion.

The Autavia Chronometer is a non-assuming, and yet emboldening, timepiece that still captures the innovative spirit of a brand who refuse to cease being proactive, despite the delay on the Isograph hairspring. The Tag Heuer Autavia Chronometer offers immediate desirability through eye-catching and meticulously conceived visual appeal and will continue to delight ad infinitum by virtue of its robust and reliable, if not pioneering, movement, hard wearing materials and perfectly conceived ergonomics.

We should still applaud Tag Heuer for continuing to try and push the boundaries of what is possible in horology. Sometimes these proven technologies on a test engineer’s bench do not transpose onto the production line within a feasible timeline. I know this isn’t the last we’ll hear of the Isograph movement and its carbon composite hairspring. I’m sure they aspired to announce updates within this study of excellence this year, until the world was turned upside down.

In the mean time we can still indulge ourselves in one of the best looking chronometer rated pilot watches on the market. It may seem like obstinate bravado to release the Autavia Chronometer but let us not forget that this new Autavia 3-hand proposition was to be the vehicle for Tag Heuer’s exemplary and innovative Isograph movement with in-house carbon composite hairspring. I still have immense admiration for Tag Heuer’s forward thinking R and D department and I love the new Autavia Chronometer, especially in that exquisite bronze and luscious green.

All words by Richard Atkins. All images by the author and Tag Heuer, unless otherwise stated. This article may not be reproduced in whole or in part without permission.

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Seiko SRQ023J1 Chronograph Enamel https://amjwatches.co.uk/blog/seiko-srq023j1-chronograph-enamel/ https://amjwatches.co.uk/blog/seiko-srq023j1-chronograph-enamel/#respond Thu, 07 Jan 2021 14:19:42 +0000 https://amjwatches.co.uk/blog/?p=2461 The Seiko SRQ023J1, and a history of the best value chronograph movement ever. As an introduction to the glorious Seiko SRQ023J1 I believe it prudent to visit the pantheon of Seiko’s mechanical chronograph movements: The monopusher calibre 5719 powered Japan’s first chronograph wrist watch in 1964. This was released to commemorate Seiko’s timing responsibilities at …

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The Seiko SRQ023J1, and a history of the best value chronograph movement ever.

SRQ023 | Presage | Brands | Seiko Watch Corporation

As an introduction to the glorious Seiko SRQ023J1 I believe it prudent to visit the pantheon of Seiko’s mechanical chronograph movements:

The monopusher calibre 5719 powered Japan’s first chronograph wrist watch in 1964. This was released to commemorate Seiko’s timing responsibilities at the Tokyo Olympics of the same year. An exceptional reinterpretation was released last year to mark its 55th anniversary: https://amjwatches.co.uk/seiko-presage-55th-anniversary-limited-edition-srq031j1.html

The calibre 5718 followed with separate start-stop and reset buttons and an integer counter within the aperture at 12 O’clock. The buttons on the left side of the case count up or down. Primarily designed for keeping tally of your golf strokes, this rare complication can be utilised to record any total you desire.

The calibre 6139 is, undoubtedly, one of the most famous chronograph movements of all time as it became (despite what Zenith, Breitling, Tag Heuer, Hamilton and Bruen claiming the contrary) the first ever automatic chronograph on the market in May 1969. 

Interestingly, Seiko were producing the 6139 as far back as January 1969. There are a very few examples that sometimes turn up at auction. If you want a truly grail Seiko keep a look out for one of the January ones. February and March production are also very covetable in the Seiko collecting fraternity. This incredible day-date chronograph movement set the benchmark straight away with its column wheel, vertical coupling chronograph and patented magic lever winding system. This movement can also claim to be the first ever self-winding chronograph in space when William Pogue wore one during the Skylab-4 mission in 1973. The “Seiko Pogue” is an aspirational acquisition for all Seiko fans, hence why I own one, proudly shown below.

Calibre 6138 closely followed in 1970 and incorporated a running seconds hand and a 12 hour counter. This was most famously used in the Seiko “Bullhead”.

Also during 1970, Seiko released the 7017 chronograph which was just 5.9mm thick and set a world record at the time.

Due to its own success with the quartz chronograph movement (of which it also created the first ever) and the LCD multifunction wrist watch ( which, you guessed it, they released the world’s first) Seiko ceased production of mechanical movements in 1980.

It wasn’t until the 1998 would Seiko commence manufacturing mechanical chronographs again with the fantastic 6S series. Not only was this movement used in the pinnacle of their brands Credor, but it was also used by other high-end brands and was also the basis for Tag Heuer’s “in-house” calibre 1887.

The Tag Heuer 1887 movement was based on Seiko’s blueprints (courtesy of tagheuer.com)

Which leads us to the 8R chronographs in use today and the superb engine for the SRQ023J1 showcased here and more of which later.

The fundamental purpose of a chronograph (time writer) is to record the given period for any episode. Seiko’s rich history of being relied upon to time the most important sporting events include their involvement with the World Cup, Olympic Games, official timer for the IAAF which commenced in 1985, Pan Pacific Swimming Championships, Nagano Winter Olympics and the Tokyo Marathon, to name a few. Along the way the tireless boffins at Seiko have created the False Start Detection System (1984), Electronic Distance Measurement (EDM) equipment (1987), the Split Video with Ultrasonic Anemometer (1991) and the Road Race Transponder (1999) plus they have made huge leaps in the development of the Electronic Start Pistol, Start Block Pressure Pads, the False Start Detection System, the Photo Finish Camera, the Video Distance Measurement system, the Ultrasonic Wind Gauge and the Photo Beam Unit.

Soccer World Cup
Seiko were official timers for the 1978, 1982, 1986 and 1990 World Cups

Tokyo Olympics
Seiko were official timing partners at the 1964 Tokyo Olympics

IAAF World Championships in London
Seiko continue to be the official timing partners for the IAAF

Pan Pacific Swimming Championships
Seiko at the Pan Pacific Swimming Championships in 1997

Tokyo Marathon
Seiko timing the Tokyo Marathon

Specification

I never consider myself a megalomaniac, but I do love to control time. The act of starting and stopping time via a nicely weighted pushbutton, that triggers the silent rotational motion of the seconds hand is what makes the chronograph my favourite of all the horological complications. This harmless form of manipulation is further enhanced if your chronograph is both beautiful to behold, a pleasure to operate and is manufactured by one of the greatest producers of stopwatch movements ever. Enter the SRQ023J1 powered by the extraordinary 8R48 movement.

This typically over-engineered workhorse that has been designed, developed and manufactured by Seiko contains 34 jewels, has a 45 hour power reserve and runs at 28,800 vph. Incidentally, the moniker “manufacture” may seem less relevant to some brands, who still buy in a lot of the internal and external componentry, but for Seiko it is all encompassing. They make their own sapphire glass, their own anti-reflective coating, their own springs, their own screws, their own cases, etc, etc. You name it, they produce it.

The 8R48 movement also benefits from the column wheel, at once loved by watchmakers and fans but disliked by the accountants. The most prevalent component for actuation of a chronograph is a double cam, whilst the reset operation is based on a simple heart-shaped cam. The secondary function of the former prevents accidental operation of the latter, which would be potentially fatal to the movement. This simple to manufacture part is ubiquitous purely based on its cost effectiveness. Whilst being a reliable way of initiating and resetting the stopwatch, the major draw-back is that it lacks precision, in both starting and resetting, and also feedback to the user. The more expensive solution to all these maladies is the column wheel. This structural component takes on the appearance of a castle turret and assures instant and accurate inauguration of the given operations. In basic terms the column wheel is a precision digital solution to the vague analogue cam. Because of this accurate deployment and detachment of the column wheel the pushers have a much-improved resistive feel. As a chronograph junky (I’ll record everything from how long my cup of tea takes to be drinkable without scolding me ,12 minutes, to how long the infuriating temporary traffic light system holds you for no obvious reason on the bridge leaving our village, 3 minutes 32 seconds) I feel strategically positioned to state that the tactile interface of the 8R48 pushers is as good as I have utilised. Furthermore, the triumphant 8R48 movements offers a stutter-free, precise chronograph start and a flawless reset that is faster than the human eye can witness. 

Having a column wheel chronograph in your horological arsenal puts you in an elitist group. It is now not uncommon for manufactures to, rightfully, show off their watch making superiority by having the column wheel clearly on display, even colouring it in some instances. For example, the Tag Heuer Calibre 02 manufacture chronograph with column wheel clearly highlighted in red below.

(courtesy of Tag Heuer)

You can never expect A Lange & Sohne levels of hand finishing for the 8R48 movement. However, although no where near offensive, the detailing is best described as industrial. I also think it is a shame that the column wheel remains hidden due to the architecture of the, fairly slim, movement. However, we do need to remind ourselves that this is a full, in-house chronograph with an artisanal enamel dial for £2000.

Speaking of which: The SRQ023J1 immediately garners admiration with its exquisite, pure enamel dial by the exclusive artisan, Mitsuru Yokosawa. 

Mitsuru Yokosawa

Held in esteem by all within this dying industry, Mitsuru Yokosawa began working with enamel in 1971, when he joined Fuji Porcelain Enamel Co. Ltd. Through passion, diligence and applying quantifiable data Yokosawa San has succeeded in increasing the reproducibility of these high-quality craft techniques. He has also developed visual acuity that allows him to work with surfaces that are coated with fractions of a millimeter. Also, while most small enamel products are within the range of about 10cm², the Seiko dials are around 3cm². Further challenges are imposed by their miniscule thickness and evenness. Mitsuru Yokosawa is the only Japanese craftsman capable of applying enamel to such a high level of perfection on to a Seiko dial.

Enamel is a coating that is applied to materials, such as metal, by firing an enamel glaze with glass compounds. It has a wide range of applications ranging from everyday items to works of art. The SRQ023J1 can be considered both at once. 

The iron dial is fabricated by Seiko and then shipped to Yokosawa San. The dial base is first coated in oil to prevent any oxidation. Once required the dial is cleaned of oil before undergoing an acid wash, nickel treatment and neutralising treatment. This step is critical to the quality of the enamel coating.

Even the smallest alteration in the composition ratio of the various glass compounds can dramatically alter the final coating. Mitsuru Yokosawa’s rich knowledge of this process is critical to producing an enamel glaze that best matches the Seiko dials.

Once produced the enamel glaze can be applied to the dial surface. The glaze is highly susceptible to changes in temperature and humidity. Therefore, Mr Yokosawa changes the composition to compensate for any given weather conditions. Slight changes in the application process can also result in differences in the finished product. This makes the knowledge of an accomplished craftsperson all the more important.

The enamel coated dial is then fired in a kiln. The firing time is also fine tuned in accordance with the weather. In this final production step, the glass compounds in the glaze are melted down to create the enamel’s characteristic soft and alluring texture.

Upon completion of the firing process the dial is thoroughly inspected to ensure that the enamel has been uniformly applied and is free of any pinhole imperfections. Finally, after this meticulous and labour intensive process, that demands the best of a true pioneer in his chosen craft, the dial is shipped back to Seiko

Bestowed with a unique sheen and warm aesthetic, enamel creates a captivating dial with stunning colour fidelity that will last for over 100 years.

You can see a fascinating interview with Yokosawa San here….https://www.seikowatches.com/us-en/special/tokinowaza/yokosawa/interview/

This purity of colour and man-made artistry presents a serene topography, as if looking across a carpet of freshly fallen snow along undulating vistas.

The blued hands jump out of the dial in a classically interpreted refined manner.

So, having extolled the virtues of the craftmanship endowed on the front and rear of the SRQ023J1, I now want to concentrate on the fabulous 100m water resistant case with 42mm diameter x 14.9mm thickness. The harmonious juxtaposition of the case middle’s smooth rounded surface and the bezel’s sharp bevelled layers are all mirror polished to create the maximum refraction of light. Only the lug fascias are contrasted with a high-grade satin finish.

My only criticism of the SRQ023J1 is a Seiko wide phenomenon, whereby they insist on always giving the customer too much strap. I appreciate I don’t have the biggest wrists in the world, but the oversized strap is a potential hindrance to anyone with a wrist size under 24cm. I did find that flipping the strap round so that the folding clasp operates in the opposite direction does ease this subjective issue, and here at Andrew Michaels we would be happy to perform this alteration for you prior to delivery or retrospectively after purchase. Also, at this price you could purchase an extra, good quality strap and the SRQ023J1 would remain a remarkable amount of watch for the money. Apart from this, the hand stitched crocodile strap is incredibly comfortable to wear.

The standard strap position with the excess strap at the 6 O’clock position.

The SRQ023J1 with the strap flipped to conceal the unnecessary extra.

So, a retail price of £2000 seems an absolute bargain for the SRQ023J1 and its multitude of desirable and practical features. I agree whole heartedly. However, how would you feel if I told you that Andrew Michaels Jewellers of Newark are offering this exemplar of chronographs and Japanese craftmanship for £24.38 per month over 4 years with 0% finance or £1125 straight up? Now, that is an outrageous bargain.

In addition to this the equally delightful SRQ025J with 8R48 movement and a normal retail price of £1899, is available for £1074 on 4 years interest free finance, or £945 straight up. Absolutely ridiculous. Get it while you can here:  https://amjwatches.co.uk/seiko-presage-srq025j1.html

SRQ025 | Presage | Brands | Seiko Watch Corporation
The SRQ025J1 with a hand set and silver textured dial reminiscent of Seiko’s first ever wrist watch from 1913, the Laurel.

If you are interested in accurate, reliable chronographs from a brand synonymous with this complication, in-house movements in the truest sense, rare and exquisite artisan craftsmanship and getting the absolute best value for your hard earnt money then the SRQ023J1, and its stablemate the SRQ025J1, are most definitely for you.

All words by Richard Atkins. All images by the author or Seiko, unless otherwise stated. This article may not be reproduced in part or in whole without strict permission.

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Seiko 5 Brian May Limited Edition https://amjwatches.co.uk/blog/seiko-5-brian-may-limited-edition/ https://amjwatches.co.uk/blog/seiko-5-brian-may-limited-edition/#respond Thu, 07 Jan 2021 14:05:16 +0000 https://amjwatches.co.uk/blog/?p=2453 SRPE83K1 – Seiko 5 Brian May Limited Edition   Introduction This is going to be fun. I don’t often get to initiate one of my watch reviews with a brief autobiography of an astrophysicist. Oh, and he also happens to be an absolute Rock Legend.  Dr Brian Howard May CBE was born 19th July 1947. …

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SRPE83K1 – Seiko 5 Brian May Limited Edition

 

Introduction

This is going to be fun. I don’t often get to initiate one of my watch reviews with a brief autobiography of an astrophysicist. Oh, and he also happens to be an absolute Rock Legend. 

Dr Brian Howard May CBE was born 19th July 1947. His story begins to pique our interest, in context of this article, way back in 1963 when, at the age of 16, he and his father hand made a guitar, called Red Special, out of an old fireplace.

Red Special
Red Special. Quite possibly the world’s most viewed guitar. (image from seikowatches.com)

Red Special was created using only hand tools that the father and son team had. The neck was made from the aforementioned 100 year old fireplace whilst the body was made from blockboard with an ancient oak insert and covered with a mahogany veneer. Brian stained and polished the guitar himself. The tremolo was designed by Brian. It featured a hand carved mild steel rocker plate that pivoted on a knife edge, literally. The tension on the strings was taken up by motorcycle valve springs and the tremolo arm was manufactured from a part of an old bicycle saddle bag holder and capped with part of a knitting needle.

Little did Brian and his father, Harold, know then that they had just created, arguably, the most recognised guitar the world will ever see. This was because, after joining bands ‘1984’ (from 1964 to 1968) and then Smile (from 1968 to 1970) Brian formed a band with fellow Smile member Roger Taylor and somebody called Freddie Mercury. That band was Queen. You may have heard of them. 

Less than one year later John Deacon joined as bassist and the rest, as they say, is history. Queen were recently voted the third most popular rock band of all time behind Led Zeppelin (definitely rock) and The Beetles (definitely pop).

Red Special was present throughout as these Hall Of Famers racked up an impressive 90 million album sales. Despite the death of their enigmatic front man, Freddie Mercury, in 1991, Queen remain just as popular today. Brian can still be found touring with the band, with Adam Lambert replacing Freddie. And, remarkably, he’s still wielding that very same guitar he built 56 years ago. In 2005 Brian was voted the 7th greatest guitarist of all time in a listener’s poll organised by Planet Rock radio station.

Given his immense talent at constructing his lifelong guitar, and his ability to create a sound from it that catapulted his band into rock and roll legendary status, it won’t surprise you to learn that Brian obtained a bachelors degree in science in 1969. He started a PhD in astrophysics soon after and completed most of it by 1974. However, Queen had now become one of the biggest bands in the world by this time and it took until 2007 for Dr Brian May to successfully complete his PhD. Brian received his CBE from the actual Queen in 2005 for “services to the music industry and charity work”.

As a self-confessed watch nerd, one of the most amazing parts of Brian’s staggering career is the fact that, not only was he accompanied by the same guitar throughout his whole 56 career – which is extraordinary longevity for a professional musician and a single instrument –  he has had the very same wrist watch since the early 1970s: A Seiko Divers watch he bought whilst touring Japan. I’m sure there have been other timepieces on the talented wrists of Brian in the last 50-or-so years (without wanting to seem crude, he could afford any watch ever made) but the fact that he kept this Seiko diver and still wears it to this day fills me with joy. Just imagine what that Seiko has witnessed. The mercenary part of my brain tries to imagine what this watch would go for if it landed at an auction house, hypothetically speaking. If the iconic Steve Jobs’ basic Seiko quartz from the early 1980s, with an original retail price of about £50, could sell at auction for $42500, where would Brian Mays end up? On a more practical note, it is also yet another testament to the reliability and durability of Seiko timepieces.

With the above in mind, Seiko have done the only honourable thing and just launched a Limited Edition Seiko 5 Sports in celebration of the man himself and his trusty guitar. It is called the Red Special. And is it both red and special.

Seiko 5 Sports × BRIAN MAY

Specification

The Seiko 5 collection has been an important part of the brand’s collection since its inception in 1963. It hasn’t always been available outside of Asia, but it was always renowned throughout the world for its amazing value for money and reliability. In fact, my own father bought one in the late 1970’s and it remained a faithful companion throughout his life. My father never understood my passion for timepieces so I was always glad that he had chosen well when buying the only watch he would ever need. Incidentally, my Dad, a massive Queen fan, chose “Who wants to live forever?” to be played at his funeral. He always did have a blunt sense of humour.

The 5 in the title refers to five main attributes for all examples produced: A self-winding automatic movement, resistance to water, a day-date display, a screw down crown and a durable case.

A brand-new line of Seiko 5 models, the Sports collection, was released across the world to unanimous praise in 2019. It is this fabulous new range that the Red Special Limited Edition is based upon. The entire collection numbers 27 individual pieces. This new family has proven itself to be one of brand’s most popular, and its easy to understand why. Adhering to not only Seiko’s aspirations for the 5, but also conforming to professional dive watch criteria, these extraordinary watches retail for between £250 and £350.

https://amjwatches.co.uk/5-sports.html

The dial of the Red Special Limited Edition has a subtle interpretation of a wood grain pattern reminiscent of that seen on the body of Red Special. A curved accent on the left side of the dial also matches the body shape of the guitar, as formed by Brain’s and Howard’s own hands.

Dial design

The 100m water resistant 42.5mm diameter by 13.4mm thick case houses the in-house designed, tried-and-tested 4R36 24 jewel automatic movement with 41 hours power reserve, hacking seconds and a quick set date/date. The hands and hour markers are inlaid with Seiko’s proprietary Lumibrite® material.

The exhibition caseback is embellished with a print of Brian May’s signature in gold and an engraving of the individual Limited Edition number, out of 9000.

case back

One of the best presentation boxes ever produced comes with a replica coin which represents the sixpenny piece that Brian famously used as a plectrum throughout his career 

The box perfectly replicates a guitar case.

Conclusion

Seiko have created one of the most quintessential commemorative Limited Editions ever, in the Red Special. It is an affordable timepiece. This is key to the target demographic. We have to consider that this is aimed at music fans as much as watch fans. I’m a big fan of the Rolling Stones and AC/DC but I was never going to pay the asking price of their Zenith and Raymond Weil Limited Editions, respectively. The Red Special Limited Edition has unparalleled integrity due to it coming from industry maestros Seiko because the hero of our story, Brian May, has cherished a very similar watch for nigh-on 50 years. This particular Limited Edition pays homage to one of the most fantastical stories from the very highest level within the Rock music industry. How many other timepieces can you name that celebrate a musical instrument? How many musical instruments have ever been created that are as anecdotal as the fabulous Red Special?

So, that’s the perfect scenario for a desirable Limited Edition before we even get to see it. The Red Special does not disappoint upon any inspection and delivers as a complete entity. The detailing, inspired by one of the world’s most famous guitars of one the world’s most famous guitarists, has been exquisitely and subtly transposed. The price point is incredibly attractive and achievable. The Seiko 5 platform is pertinent to Brian’s own 40-plus year old Seiko diver watch and will also guarantee reliability. The replica guitar case packaging is an inspired choice. All of these elements combine to create a flawless synergy of legitimacy, obtainability, desirability and pertinence rarely witnessed before.

A limited edition set of 9000 pieces may seem too many to some. That might well be true of many numbered edition timepieces but there will be nowhere near enough of the Seiko 5 Red Specials to meet demand. This means that you will still have something desirable, collectable and, I am prepared to state, an investment going forward.

My only real complaint with the watch is a slight criticism I have of the Seiko 5 Sports series as a whole. And that it the decision to use a hardlex crystal glass instead of Sapphire. This may seem akin to me saying my house would be perfect if it were positioned on the shores of Lake Garda, but I do feel a tool watch, that is as otherwise as triumphant as the Seiko 5 Sports, deserves this high end material that is impervious to scratches.

Queen’s career spanned 17 studio albums, so you will all have your favourite song. Mine is “Hammer To Fall”. It was written by Brian in 1984 for The Works, arguably at the peak of their illustrious career. It is defined by Red Special’s power chords and technical solo.

The fact that my father owned a Seiko 5 for many years, helping ignite my passion for watches, and that he chose to have Brian and Red Special play at his funeral means that I will definitely be buying one of these wonderful timepieces. Like the other 8999 lucky people you will have your own reasons. You may be a collector of Seiko, because you appreciate quality and value. You may be a fan of Queen and love the idea of a wrist worn memento of all the good times you have had listening to their music. You may simply be an aspiring guitarist and would like to pay respect to one of the greatest axe men of all time. The Seiko Red Special is a perfect exponent of all of these. One unifying element though will be our joy in ownership of something truly special. Red Special.

I will leave you with the words of a humble legend:

“I am delighted to see this watch come alive, and proud that the creation of me and my Dad all those years ago has inspired this collaboration. I love my Seiko and it has served me well for many years. I will wear this new one with pride.”

Me too Dr May.

To conclude succinctly, the Red Special will rock you. Sorry. You knew it had to be done at some point.

Dial design
All words by Richard Atkins. All images by the author and Seiko, unless otherwise stated. This article may not be reproduced in part or in whole without the permission of the author.

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Pinchbeck Watches https://amjwatches.co.uk/blog/pinchbeck-watches/ https://amjwatches.co.uk/blog/pinchbeck-watches/#respond Thu, 07 Jan 2021 12:32:03 +0000 https://amjwatches.co.uk/blog/?p=2396 Pinchbeck Watches at Andrew Michaels Watches I am absolutely delighted to announce that Andrew Michaels Jewellers (amjwatches.co.uk) are now the sole representatives for Pinchbeck Watches. If you’ve not heard of them, it’s hardly surprising. Despite being a serious name in British horology for over 300 years, more than any Swiss brand, Pinchbeck Watches hand produce a …

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Pinchbeck Watches at Andrew Michaels Watches

I am absolutely delighted to announce that Andrew Michaels Jewellers (amjwatches.co.uk) are now the sole representatives for Pinchbeck Watches. If you’ve not heard of them, it’s hardly surprising. Despite being a serious name in British horology for over 300 years, more than any Swiss brand, Pinchbeck Watches hand produce a grand total of around 150 watches per year. To put that exclusivity into perspective Tag Heuer, for whom Pinchbeck share the same price point category, make over 6500 times more watches annually. With this in mind, each watch takes up to four weeks from your decision to purchase until the hand over. However, it is worth the patience. Sincerest quality craftmanship takes time. For a cherished item that will last the rest of your life, this is a small lead time.

This infinitesimal turnover is not due to lack of interest but simply because a single watchmaker creates your Swiss Movement timepiece by hand. Pinchbeck are running at full capacity at these levels. I spoke to the current director, Paul Pinchbeck, and there is a possibility to expand but he is presently happy to be creating low volume, high quality timepieces within a mass market environment to customers who care about exclusivity and craftmanship and are prepared to wait for it.

If you consider what true luxury is in the watch industry it would include individuality, choice, bespoke, unique, reliable, accurate, hand crafted, dependable and value.

Many of the high-end watch brands aspire to be many of these attributes. Pinchbeck Watches are all of these and more.

The present company is even managed by a family member, Paul Pinchbeck. Who best to have the desire to continue the family name and legacy. Paul is available to discuss any bespoke and personalised requirements for your Pinchbeck timepiece. Even the base level watches presented by the brand can be made unique with the new owner’s choice of hand set and, at an additional charge, pretty much any dial colour you could imagine. In fact, whilst I was at Pinchbeck’s premises in one of my early meetings with Paul he showed me a one-off bright yellow dial that a customer had requested for the Inigo series. You will never get that option for watches from the global brands. What you see in their catalogues is what you get. Which also means it is what everyone else can get.

Upon meeting Paul, I was immediately struck by the fact that there is nothing contrived about Pinchbeck Watches and that the entire outfit is based on passion.

Furthermore, the higher end timepieces, such as the exquisite Infinity and Christopher timepieces, are fully customisable. You choose the dial, the hands, the chapter ring, the case back and the strap colour. Plus, hand engraving is also available as an option.

Speaking of straps and hand-made crafts of the highest order: Pinchbeck Watches have exclusively united with Tanner Bates straps, which are also produced in the UK. For all models, you choose which colour you want, your wrist size is measured and the strap is made for you. See their phenomenal level of artisan leather goods at www.tannerbates.co.uk

With this in mind, it is easy to retrospectively customise your watch with additional straps, which can be purchased and fitted through Pinchbeck Watches. The Bellever range retails for £129 and the simpler, yet equal in quality, Morello range retails for £59.

The final packaging includes a certificate of authenticity signed by the watchmaker. Your watch will not be released until he is happy with the results of extensive regulation and bench testing with the movement within the case. Although not Chronometer (COSC) rated, the ETA 2824-2 used as the base ebauche is utilised in the industry for a lot of Chronometer rated watches. If you have regulation issues going forward Paul and his watchmaker would be more than happy to rectify this for you. Through personal experience I can attest to regulation figures well within the exalted COSC limits (COSC differs in that a certification is given after the movement is verified separate to the case).

Whilst not an obvious facsimile to the ubiquitous over-designed tool watches commonly on parade, each Pinchbeck watch is 100m water resistant with a screw down crown and fronted with a sapphire glass. Therefore, all timepieces hand produced at the workshop are equally at home in the most sophisticated of settings whilst also having been proven in the most extreme and hostile environments, including the North Pole, Mont Blanc and the world’s toughest rowing race (more of which below).

Each Pinchbeck watch comes with an impressive and long-term peace-of-mind 5 year warranty. This is a testament to the quality of build and the confidence Pinchbeck have in each of their products, which is a rarity in the watch industry.

The history of the Pinchbeck Watches dates way back to 1710. In this period, over 300 years ago, the horological landscape was far different to today. The British ruled the industry, in this most important of eras, with fantastic industry changing geniuses. A few exemplars include:

Richard Townley, (1629-1707), was born in Nocton, near Lincoln, and created the dead beat escapement at the bequest of experts at Greenwich to determine if the Earth rotated at a constant speed.

Thomas Tompion, (1639-1717), was King Charles II’s personal watchmaker and is considered the “Father of British Watchmaking”. He was chosen by the King to create two pendulum clocks for the Royal Observatory. These were instrumental in achieving correct calculations for astronomical observations.

George Graham, (1673 – 1751), invented the mercury pendulum and the orrery and was a Master of the Worshipful Company of Watchmakers.

John Harrison, (1693 – 1776), spent most of his life solving the Longitude problem with his famous H4 pocket watch allowing the British Navy and Explorers to rule the seas. 

Thomas Mudge, (1717-1794), was an apprentice to George Graham, he created the lever escapement, which is still the fundamental element of nearly all mechanical watches to this day.

Christopher Pinchbeck I, (1670-1732), was born into a family that took their name from the village in Lincolnshire. He created the Pinchbeck alloy, which is a form of brass which combines copper and zinc in a certain mixture to take the appearance of gold. This was the closest we came to alchemy. He created a musical clock for Louis XIV, which he was paid £500 for and a fine musical organ for the Great Mogul of India, valued at £300 in the day. His eldest son, Christopher II (1710-1783) became the King’s Clockmaker by appointment to George III, for whom he made a four-sided astronomical clock which still resides in the music room at Buckingham Palace.

In addition to the above, the Pinchbeck premises, which resides within the 14th Century Exchequer Gate, overlooks the former home of William Paley who formulated the renowned Watchmaker Theory.

To give it its full moniker in the present day, the brand is called Harold Pinchbeck, after Paul’s Grandfather.

Harold Pinchbeck (1890 – 1957)

Harold Hunter Pinchbeck was born in Cottingham, near Hull. After serving in the Royal Field Artillery he followed the footsteps of his ancestors and was apprenticed to a watchmaker in Hull. In 1923 he set up business in the Lincolnshire town of Barton on Humber, taking over a clockmaker’s shop that had been trading since before 1795. This was originally owned by Robert Sutton (1774 – 1835) who, along with the aforementioned John Harrison, was only one of two creators of all wooden clocks. Harold Pinchbeck spent the rest of his career here. His commitment to, and passion for, fine engineering inspired the current collection of Pinchbeck watches.

There are a lot of new watch brands that offer exclusive mechanical timepieces and that were created by crowd funding or Kickstarter. Pinchbeck Watches is most definitely not one of those. It has an outstanding pedigree.

Pinchbeck are now situated in the stunning Exchequer Gate within the beautiful top end of Lincoln overlooking the Cathedral and the Castle.

Exchequer Gate lies in the shadow of Lincoln’s 950 year old Cathedral
(courtesy of the Bail House website)

Pinchbeck Watches at Exchequer Gate is within a stone’s throw of Lincoln Castle
(courtesy of historiclincolntrust.org.uk)

Within these premises is an office and a workshop. It is, therefore, difficult to view your prospective timepiece and receive a pertinent handover. We welcome you to purchase one of the few Pinchbeck Watches we have in stock at Andrew Michaels Jewellers (www.amjwatches.co.uk). Alternatively, you can place your order for a bespoke Pinchbeck watch through ourselves on 01636 679638. The current collection can be viewed at www.amjwatches.co.uk/pinchbeck

For more information about the brand and the timepieces please visit www.haroldpinchbeck.co.uk

At Andrew Michaels Jewellers, located in the neighbouring town of Newark, we have a high end luxury watch salon for you to choose your new Pinchbeck watch and receive a professional and passionate handover upon its completion.

Personal Testimony.

Having met Paul Pinchbeck and discussed his timepieces I immediately bought into the attitude and philosophy of this boutique luxury watch brand. The first watch I purchased from Pinchbeck was the, now discontinued, Ravenspur. I was immediately drawn to the stark dial with its singular “Pinchbeck” script. The dial is a deep black which was originally contrasted by golden hour markers and baton hands. I say originally, because this is where the beauty of a small output, minimal team entity such as Pinchbeck benefits customers and their personal aspirations. They have the ability to be flexible coupled with the desire to allow the customer to own what they want. I had noticed, whilst viewing the watch at Exchequer Gate in Lincoln, that the hour markers could often look silver in brighter light conditions. So, I requested the watchmaker to exchange the gold seconds hand for a silver version.

Whilst, coupling the hands, regardless of how the hour markers appeared, this also created an aesthetic and functionality dichotomy. After all, the hour and minute hand are viewed as static time stamps to allow us to organise our hectic daily lives and the second hand represents the heartbeat of the watch as it commits to its rotational dressage in perpetuity. It is a playful trick of the eye that I am proud of.

Whilst discussing my options for the Ravenspur with Paul I happened to mention I was born and bred in Lincoln. In fact, I was born within half a mile, married within 100 meters and received my engineering Higher National Diploma within a mile of the Pinchbeck establishment. Paul, wisely, showed me a rendering for the Lincoln Watch they were proposing to release.

                                     

 
The limited edition Lincoln watch

I was immediately smitten with the concept of the Lincoln watch and its well thought-out details, that were pertinent to my home city and its glorious history. So, in a rare alignment of significant situations it was proposed by Paul that the Lincoln watch would be ready to the first customers just before my 50th birthday. After receiving an email containing the details of the new Lincoln watch via email, I dutifully showcased this to friends and family and the unanimous decision concluded that I had to buy this extraordinary timepiece. I contacted Paul and ordered number 1 of just 50 that were being produced. I was also delighted to find out that the cherry on my birthday cake would be a numbered print of the picture that Paul had commissioned local artist, Dominic Parczuk, to create of Lincoln’s famous landmark, the Cathedral, as viewed over the River Witham from the vicinity of the village of Washingborough, which was where, ironically, I was brought up. This very same picture is inserted into the case back.

My number 1 of 50 Limited Edition print that came with my Lincoln Watch.

This case back is the true triumph of the Lincoln watch in my opinion. Intricately patterned dials and inspirational components have been utilised on Limited Edition timepieces previously, but the miniature representation of Dominic Parczuk’s wonderful water colour creates a discrete ingredient that cannot be plagiarised by any other brand.

The Lincoln watch is the only timepiece currently available at Pinchbeck Watches that is not customisable, apart from external hand engraving at an additional cost. However, take my personal word for it, you don’t need to change a single element. Choosing to create a timepiece that was inspired by Lincoln and its illustrious history could have resulted in something fussy, verging on the twee. Paul and his team managed to circumnavigate this possible scenario by choosing constituents that complement each other. The most unique and bold element is the dial that is inspired by the Bishop’s Eye window in the Lincoln Cathedral. Opting to produce this main focal point in a warm English cream colour means that the exquisite pattern is only truly prevalent when the light hits it. This is effortlessly combined with another Lincoln Cathedral inspired component, the raised roman numeral hour track taken from the Cathedral clock. Unite these with blued hour and minute hands and a gold seconds hand and the entire façade of the Lincoln is instantly captivating whilst rewarding repeat appraisals in differing light conditions. It is remarkably difficult to design a wrist watch which oozes confidence and yet maintains a discretionary charm. This is what I love about Pinchbeck Watches in general, but the Lincoln Watch epitomises this philosophy to the extreme.

The screw down crown is engraved with the Fleur-de-Lys emblem of Lincoln.

As with all Pinchbeck watches the Lincoln sits comfortably on the wrist as a result considered ergonomics, meticulous finishing and a supple, handmade Tanner Bates strap that is made specially for the customer.

The Lincoln watch has a special meaning to me because of my pride in where I originate from. It is a constant reminder of significant moments and decisions in my life. I appreciate that this is not relevant to everyone. However, if you are from Lincoln, or you have an interest in its fascinating history, especially its world famous Cathedral and the Castle that houses the original Magna Carta, then the Lincoln watch will be as fulfilling a representation of this as any other trinket or keep-sake, whilst being an everyday utility item as well. It is the most fabulous homage timepiece I have ever seen.

I realise that this paean of expressive superlatives may seem slightly biased due to my appreciation of Pinchbeck Watches through locality. However, there is no denying that we could all become benefactors of the unrelenting enthusiasm at the core of this small family-based entity as they aspire to create unique and lifetime lasting horological dreams available to us all 

The Collection

All Pinchbeck watches are powered by the tried and trusted ETA 2824-2 automatic movement and have a surgical grade stainless steel case, 100m water resistance, a hand-crafted Tanner Bates leather strap and a sapphire glass. The ETA 2824-2 is used widely across the industry. High end watch brands such as Hublot, Breitling, Longines, Tag Heuer, Chopard, Hamilton, Ball Watch, Graham and U-Boat all rely on ETA movements. The 2824 is a robust and reliable movement which is quoted by the supplier at +/- 15 seconds per day accuracy. However, as mentioned previously, Pinchbeck differ in their application of this ETA stalwart in that their watchmaker regulates each watch to within +/-5 seconds per day within the case.

The Infinity (£4999),

Apart from the aforementioned Swiss movement, almost every other component is exclusively made in England, including the dial, heat-treated blue hands, the strap and the 40mm case. One incredible aspect of these gorgeous timepiece is that the gilt chapter ring, located between the glass and the dial, can be inscribed with your chosen dedication or script. This hand engraving is almost a lost art form and is available from no other watchmaker. Make your Infinity truly individual with this private and wondrous detail. The fastidious and finely-machined brass dial is an ever-changing kaleidoscope of warm colours which endows the Infinity with a refinement not normally witnessed at this price point. In fact, I would be willing give supposition that if the celebrated Metiers de Art facility at Vacheron Constantin were to create such a dial it would be eternally lauded. It is simply mesmerising. The caseback is embellished with an inset 18ct gold disc which is a blank canvas for your choice of LASER engraving.

The Christopher (£3999)

 The 40mm diameter Christopher, which exemplifies elegance and classicism, is almost identical to the Infinity apart from the engine turned dial. Subtle crown guards also separate the pair. All other customisable options are available, including the hand engraving on the gilt chapter ring. In addition, a bespoke dial can be designed and created. So, if you fancy your family crest or your favourite team’s colours, this is all achievable at an extra cost.

The Inigo (£1699)

This 42mm workhorse will take anything you can throw at it on a daily basis whilst remaining almost serene in its wonderful character. Like all Pinchbeck Watches the Inigo is produced in strictly limited numbers, ensuring your watch will always remain different from the pack and special to its owner. For the asking price of just £1699 you will also receive the glorious tactility and wonderful aroma of the Tanner Bates strap, sized for the individual. The case back is available with either an exhibition glass, to display the highly regarded ETA mechanical movement, or in solid stainless steel for your personal inscription engraved by hand.

The Chelsea Reach, (£5995)

The 40mm diameter Chelsea Reach is the most exclusive of Pinchbeck Watches with only 25 pieces ever being hand assembled. On top of that, each Chelsea Reach can be made bespoke. This gorgeous timepiece is elevated even further with several harmonious touches of decadence: a solid gold disc, inset in the case back, is not only hand engraved with the watch’s individual limited edition number but also offers real estate for personal messages or dedications. Furthermore, the name and year of manufacture is engraved on the gilt chapter ring. The sumptuous English made case is embellished with gold details to compliment the traditional dial, whose symbology includes the Hanover Horse, and reflects the Doggett’s Race’s rich heritage through its connections with the Fishmongers’ Company and the Company of Watermen and Lighterman.

The Chelsea Reach is the perfect timepiece, not only for followers of the Doggett’s Race, buy anyone interested in the incredible history of the City of London and its fascinating traditions. 

The Lambeth Reach (£2995)

The refined and tasteful Lambeth Reach is enhanced further still by the fact that only 270 will ever be created. The contemporary 41mm case formulates the perfect juxtaposition with the traditional dial and hands that mirror clock and pocket watch faces of yore.

Again, the symbols on the dial reflects the heritage of the Doggett Race through its connections with the Fishmongers’ Company and the Company of Watermen and Lightermen.

Each timepiece is delivered in a Tanner Bates genuine leather presentation wallet and comes with Paul’s signature on a five year warranty certificate and the hand-written initials of the watchmaker on the outer box. It is these seemingly small, but significant, details that set Pinchbeck Watches apart from the myriad of high street luxury watch brands.

Here at Andrew Michaels Jewellers we are very excited to offer our customers the opportunity to own a timepiece that they will unlikely see anywhere else. A wristwatch that is highly customisable to the point of being unique. We are also delighted to be supporting a local business that is driven by passion of creation and for whom customer satisfaction is incredibly important. On initial introduction buying from a generally unknown, such as Pinchbeck, may seem a brave purchase, but it is anything but. Extensive warranty, a strong, protective case for the proven reliable movement, hand assembly and regulation by the in-house watchmaker and a direct line to the director of the brand assures peace of mind. 

Buying a luxury watch should be an event. An amalgamation of instant gratification through exquisite packaging and presentation extending to long serving reliable companionship. A Pinchbeck watch satisfies all criteria you could possibly demand on a cherished item you wish to be able to pass down through generations. 

We are all individual. It is empowering to be able to have significant input towards the aesthetics of your timepiece. There are very few brands out there that afford this level of artistic freedom, instead of saying “This is what we’ve designed, so this is what you’re having”. This is where the high-end watch industry could learn from the automotive trade where, for a long time, the personalised nature of purchasing a new car has become an expected indulgence. I appreciate that the average waiting list for a new car becomes around three months with this procedure and that the average waiting time for a new watch is a few minutes, whilst it is sized and registered. However, I’m perplexed that the highest-turnover, high street brands do not offer some option of customisation for a small amount of their models. Therefore, if you are willing to wait a few weeks Pinchbeck Watches will individualise your (with the emphasis on your) timepiece. Then looking into the future, whilst the watch is being serviced, Paul and his watchmaker will happily consider swapping the dial or hands to fabricate a whole new aesthetic. You don’t get the option to respray or swap the interior of your car for the price of parts during routine maintenance.

Our greatest luxury is time. Why not capture it with an elegantly timeless, yet contemporary robust, Pinchbeck Watch. It will constantly satisfy through joy and pride wherever life may take you and whatever conditions you are challenged with.

All words by Richard Atkins. All images by the author and Harold Pinchbeck watches, unless otherwise stated. This article may not be reproduced in part or in whole without strict permission.

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Longines Master Collection https://amjwatches.co.uk/blog/longines-master-collection/ https://amjwatches.co.uk/blog/longines-master-collection/#respond Thu, 07 Jan 2021 12:04:31 +0000 https://amjwatches.co.uk/blog/?p=2386 Longines Master Collection Introduction. Since its inception in 1832 the incredibly popular luxury watch brand Longines has remained true to the original aspirations of its founder Auguste Agassiz.  Auguste Agassiz Not to be confused with Andre Agassi, a brand ambassador and once long haired, and now extremely short haired, 8 time Grand Slam winner, and …

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Longines Master Collection

Introduction.

Since its inception in 1832 the incredibly popular luxury watch brand Longines has remained true to the original aspirations of its founder Auguste Agassiz. 

1846 agassiz becomes head of the company
Auguste Agassiz

Not to be confused with Andre Agassi, a brand ambassador and once long haired, and now extremely short haired, 8 time Grand Slam winner, and his long legged and 22 time Grand Slam winning wife, Steffi Graf. Who is also a brand ambassador.



Nearly 200 years on Longines maintains the original vision of Agassiz: Tradition, elegance and performance. These watch words, if you will, are no mere grandiose statements of possible intent. With Longines these self-imposed superlatives seem to have become some kind of mantra. Other adjectives that spring to mind are desirability and value. I would highly recommend you peruse the entire selection of Longines Master Collection timepieces. You will be repeatedly presented with beautifully finished, highly detailed and yet discrete timepieces at price points that put many other luxury brands to shame.

https://amjwatches.co.uk/longines.html

A defining feature is the sculptured bezel with a perfect rounded profile. This is no easy aesthetic delight to achieve. Machines will be used to stamp and then polish a basic contour. The meticulous finish will be completed by hand.

There is only one other timepiece I have owned that features this gorgeous geometry. The £24500 Girard Perregaux ww.tc. Now, I am not saying that Girard Perregaux and Longines are next door neighbours in the world of luxury horology, but this simply highlights that you have to jump to extraordinary price points to find another watch case silhouette that mirrors the Master Collection.

My own Master Collection Moonphase Chrono given to me as a wedding gift by my wife.

So, Longines: Very good at making incredible value, desirable and reliable timepieces. But pretty rubbish at showing off, to the point of being frustratingly unpretentious. Longines must be the most under-celebrated luxury brand on the high street. I appreciate that they perpetuate homage watches in their ever-evolving catalogue and many will acknowledge their contribution to timekeeping for various armed forces across the world for more than 100 years. But how many owners could name one of their in-house movements and the significance many of these had in the development of the wristwatch we know today?

I have a small anecdote to back this situation up. My wife was watching a repeat of BBC’s ‘Flog It’ recently. On this particular program was a lady trying to sell a family heirloom, which just happened to be an original Longines Weems.

Now, given that my wife is married to me, she happens to be the biggest horological ignorant you could meet. Therefore, I was proud and jubilant she remembered what she’d bought me for a wedding gift as she called me into the room. The so-called expert declared this vintage Longines, which was running, worth about £400-£600 and the reserve should be set at £400. I said to my wife that this was nonsense and it would go for over £3000. The hammer fell at £4150. Later investigations allowed me to realise that the show was originally broadcast 5 years ago. Thankfully, on this occasion there were two phone-in bidders that realised exactly what was being sold. The entire staff of experts related to the show had not recognised one of the most important timepieces in aviation history. It is this mass ignorance that vindicates my theory that Longines should shout about their history a little bit more. Leave the discretionary nature to your wonderful timepieces. 

Just scratching the surface allows us to dig up hidden gems within Longines manufacturing history such as the 13.33Z chronograph movement, which was designed and produced in-house and was the first ever chronograph created for a wrist watch. How many people know that? 

1913 longines develop first calibre for wristwatch with single push piece 1333z

The 13.33Z’s development commenced in 1913 and evolved periodically until the 1970s when, much like a large proportion of the Swiss mechanical watch industry, it was phased out by the quartz crisis. It is also, subjectively, one of the most beautiful chronograph movements ever made.

Within this 50+ year span Longines was more of a movement manufacture than most of the obvious high end watch manufacturers when it came to the most useful complication, the chronograph. Longines built on this platform with flybacks, rattrapantes and even minute repeater chronographs, which are ridiculously rare even in the industry today. Longines was right at the top of the tree throughout this period.

This was never meant to be a history lesson on Longines (that will come at a later date), so I will get off my soap box now. However, I believe there is weight to this context as we discuss The Master Collection and its innovative creator. Search online auction sites and you will find Longines timepieces with these vintage in-house chronograph movements being sold for around £10000. This is an absolute bargain for one of the most historically significant and beautiful movements ever made.

Longines’ logo has always been the winged hourglass. This bore relevance as far back as 1919 when Longines was appointed official supplier to the International Aeronautical Federation. This led to their involvement with some of mankind’s early aviation pioneers, including Charles Lindbergh’s solo, non-stop transatlantic flight from New York to Paris in 1927 on which he wore the Hour Angle watch that he helped to design with Longines.

Way before watch brands were paying to be official timekeepers of major sporting events they were chosen for their technological prowess. It is no surprise, therefore, that Longines were timekeepers at the 1926 International Equestrian Competition (something they have stayed loyal to presently), the Brazilian Formula 1 Grand Prix in 1933 and Skiing World Championships in the same decade.

With their long and illustrious career of providing timepieces for the military, Longines were, justifiably, chosen by the British Armed Forces to be part of, what would become, the dirty dozen (so called because of the twelve different watch manufacturers), with the WWW – Watch. Wrist. Waterproof. Their offering was, arguably, the most stylish even though it adhered to the strict specification of waterproof, luminosity, Chronometer regulated, a rugged case construction, a black dial with arabic numerals and a subdial seconds. The case back was engraved with W.W.W. and the broad arrow marking.  Only 5000 of the 140000+ Dirty Dozen timepieces were produced by Longines, which is a surprise because they would have been one of the few brands capable of in-house manufacturing on a large scale at the time. It may be because Longines were already providing military watches, as they had been since World War 1. A Longines dirty dozen will command some of the highest premiums, out of the twelve different variants, when presented at auction. But, as is usual, I digress. 

My own Master Collection Moonphase was given to me as a wedding present 15 years ago. At the time I was mainly interested in utilitarian sports watches. But I also realised I needed something that would still look fresh and understated in many years to come. Just look at it: It has 68 numbers and a moonphase on the dial and yet it still conforms to that sophisticated classical mould.

I love this watch. Not just because of my sentimental attachment to it but because it is such a visual treat, with much to admire, and is so easy to wear. 

The movement is now based on one of ETAs tried and tested base movements.

I have owned two other eclectic Longines watches. The rather large, but still remarkably period-looking, Twenty Four and the Diver’s Hydroconquest GMT. The former is from the celebrated Legends collection where Longines regularly draws from its unparalleled range of historically important timepieces. This glorious collection takes inspiration from the watches in Longines’ past that have accompanied airborne and seaborne pioneers. The most notable being the Hour Angle watch for Charles Lindbergh and a watch that incorporated the ingenious “Weems System of Navigation” for Philip van Horn Weems. 

Twenty-Four Hours. Reference L2.751.4.53.4
Watch The Longines Weems Second-Setting Watch L2.713.4.13.0
Weems Second Setting Watch. Reference L2.713.4.13.0
Watch The Lindbergh Hour Angle Watch L2.678.4.11.0
Hour angle. Reference L2.678.4.11.0

The Hydroconquest GMT is from the Sport collection and is devoted to timepieces that are fit-for-purpose in a world where professionals rely on their timepiece in adverse conditions. It is presented in the most stunning sunburst blue. In a way this is emblematic of where Longines are today. This diver’s tool watch has extraordinary detailing and build quality. It can never be considered a pretty watch, but it does have a level of sophistication rarely seen in utilitarian timepieces. All for less than £1000. The Hydroconquest series is also home to the 5 second a year accurate V.H.P. collection. But that is a story for a future article.

Elegance is indeed an attitude and the Longines Master Collection epitomises this. The entire range highlights this inherited philosophy. Even though a lot of the timepieces focus on utility the design is about as far as is possible to get from being extemporaneous. And yet it appears to be so effortless. This is an indication of pure design.

If you are considering a sentimental purchase to honour a birthday, anniversary or, like me, your wedding day, I would highly recommend one of the exquisite timepieces from Longines Master Control selection. You can then settle down for a lifelong indulgence of reliable luxury.

Other highlights within the collection (all come with multiple dial and strap/bracelet options):

Watch The Longines Master Collection L2.673.4.92.0
Chronograph Moonphase in blue
Watch The Longines Master Collection L2.919.4.78.6Moonphase on bracelet
Watch The Longines Master Collection L2.893.4.92.0
Automatic Date with batons
Watch The Longines Master Collection L2.920.4.51.7Annual Calendar with roman numerals
Watch The Longines Master Collection L2.628.4.97.0
Mid Size (38.5mm) with diamond markers
Watch The Longines Master Collection L2.257.0.87.6
Ladies with MOP diamond dot dial and diamond bezel
Watch The Longines Master Collection L2.908.4.51.6
Power Reserve on bracelet 
Watch The Longines Master Collection L2.859.4.78.6Chronograph on bracelet
Watch The Longines Master Collection L2.893.5.79.7
 Bi-metal on bracelet
Watch The Longines Master Collection L2.793.8.78.3Full 18ct Pink Gold
Watch The Longines Master Collection L2.739.4.71.6
Quadruple Retrograde on bracelet
Watch The Longines Master Collection L2.629.4.51.7
 Bi-compax Chronograph with roman numerals

All words by Richard Atkins. All images by the author or Longines, unless stated. This article may not be reproduced in part or in whole without the permission of the author.

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Junghans Max Bill https://amjwatches.co.uk/blog/junghans-max-bill/ https://amjwatches.co.uk/blog/junghans-max-bill/#respond Wed, 06 Jan 2021 20:56:46 +0000 https://amjwatches.co.uk/blog/?p=2340 Junghans Max Bill– The Designer’s Choice Junghans and Max Bill were the perfect combination of design and technology when they joined forces 60 years ago. Introduction Junghans Watch Company has a long and distinguished history of watchmaking spanning nearly 160 years. Zeller and Junghans was established by Erhard Junghans and his brother-in-law, Jakob Zeller-Tobler in …

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Junghans Max Bill– The Designer’s Choice

JUNGHANS max bill
Image courtesy of Junghans

Junghans and Max Bill were the perfect combination of design and technology when they joined forces 60 years ago.

Introduction

Junghans Watch Company has a long and distinguished history of watchmaking spanning nearly 160 years. Zeller and Junghans was established by Erhard Junghans and his brother-in-law, Jakob Zeller-Tobler in 1861 within the little German town of Schramberg in the Eastern Black Forest. 

Firmengründer Erhard Junghans (1823-1870) | Watchtime.net
Erhard Junghans.
Image courtesy of Junghans


Originally created as a clock component manufacturer, their first full clocks emerged in 1886.

The Junghans Factory with the Terresembaum to the far left.
Image courtesy of Junghans


Less than forty years after its inauguration Junghans was the largest clock factory in the world, producing 3 million alarm and wall clocks every year.

Expansion of the original factory was completed with the famous terrace building, or terrasenbau, in 1918. This heritage-listed, state-of-the-art, nine-level manufacture was designed by architect Philipp Jakob Manz on the slopes of the Black Forest valley to provide watchmakers with natural and well-lit work places. Optimal light is key to precision watchmaking.

Junghans’ watchmakers “limbering up” at the beginning of the day.
Image courtesy of Junghans


Junghans were fairly laboured in producing their first wristwatches in 1927, about ten years after the first German wrist watch. However, with one of the largest clock manufacturing facilities in the world, why would you change your successful gameplan?

Like many brands in existence today, Junghans has celebrated many peaks and endured many troughs in their history. Their history and achievements would make most high-end brands envious: 

  • In 1949 they presented the legendary J88 chronograph movement –  with 19 jewels, column wheel and Breguet over coil – which was chosen by the Bundeswehr pilots. 
1949 - Uhrenfabrik Junghans
Image courtesy of Junghans
  • In 1951 Junghans is the largest manufacturer of Chronometers in Germany and by 1956 the third largest in the world. 
Image courtesy of Junghans
  • In 1970 the Junghans AstroQuartz is Germany’s first quartz movement. 
Image courtesy of Junghans
  • In 1972 they were the official timekeepers at the Munich Olympic Games. 
Image courtesy of Junghans
  • In 1976 Junghans received it’s 3000th patent for horological developments.
  • In 1986 they presented the first ever commercially available radio controlled clock.
  • This was followed in 1990 by the first ever radio controlled wrist watch, the Mega 1.
1990 - Uhrenfabrik Junghans
Image courtesy of Junghans
  • And, then, the first ever solar powered and radio controlled watch in 1993
  • On its 100th anniversary, in 2018 the Terrassenbau is reinvented as the Junghans Museum.
JUNGHANS TERRASSENBAU MUSEUM
Image courtesy of Junghans

Arguably, their greatest triumph was the decision to create a kitchen clock with revered and celebrated designer Max Bill.

Image courtesy of Junghans


Max Bill, 1908 to 1994, was an industrial designer, product designer, graphic designer, typeface designer, architect, sculptor, artist and painter. He apprenticed as a Silversmith and then studied at the world famous Bauhaus, or “building house”, from 1927 to 1929. This renowned art school was created in 1919 by Walter Gropius and became famous for unifying aesthetics and application. Or form follows function. 

 

This stripped-down modernist approach can be witnessed in Max Bill’s designs and creations. No flimflam. No histrionics.

This modest and austere imagery is incredibly difficult to produce. The more you take away the less you have to create a visual character. Junghans highlighted huge potential in this area when they designed the classically elegant Miester watch in 1936.

1936 - Uhrenfabrik Junghans
Image courtesy of Junghans

Max Bill was one of the founding members of the design school in Ulm. It was here that he was approached by Junghans to create the aforementioned kitchen clock.

It was a natural progression for this successful design to be transposed onto the wrist in what has now become Junghans signature design.

 

As with all winning designs, the Junghans Max Bill has had few little evolution in the last 60 years. The movement and manufacturing processes have advanced to create a more reliable and robust timepiece but the Max Bill remains one of those rare wrist watches that look identical to its vintage original.

Junghans state this is as the “Maximum Minimal”.

Gents Junghans max bill Watch (027/3500.00) | WatchShop.com™
Reference 027/3500.00. £910
Image courtesy of Junghans


Comparing with the original above, there is very little that has been altered over the decades. A slightly elongated typeface is all that gives today’s version away.

When I first became educated in the Junghans Max Bill my favourite was the Chronoscope in the exact same style as the original. So, white dial, steel case with Max Bill numbers on tan leather strap.

max bill Chronoscope
Reference 027/4003.48. £1830.
Image courtesy of Junghans


All of the trademark Max Bill genius is rendered into this utilitarian chronograph endowed version. For a timepiece with a 12 hour chronograph it is still clinical in its presentation, with everything reduced to the essentials. It epitomises the Bauhaus mantra of Form Follows Function. It is absolutely beautiful in every regard. The addition of pushers and subdials should sway the design towards sports utility, but their discretionary manifestation connotes the opposite, which I really like. Often these conspire to turn a pleasant looking three hand timepiece into something with an awkward and clumsy appearance. The Max Bill Chronoscope is the most harmonious sports watch on the market, in my opinion. This is further vindication of the flawless Max Bill creation 60-odd years ago. 

However, I soon realised that what I actually desired was both the exact same three hand design, now with automatic movement, and the even more elegant Chronoscope sans numerals.

The Chronoscope without batons hides its stopwatch credentials even more than the example with Max Bill numbers.

As with all Max Bill timepieces I particularly like the lack of bezel which maximises the real estate of the dial to the case dimensions. I also really appreciate the vintage vibe afforded by the domed glass, which works wonderfully with the lack of bezel, as if all the components come together as one entity.

New for 2020 is the option to upgrade most of the Max Bill watches with a sapphire crystal, instead of the historically pertinent hardened plexiglass.

The 40mm diameter by 14.4mm thick case combine with the purest of dials and an impeccably polished case to engender this glorious timepiece with stylistic elegance. A lamented rarity in the luxury watch catalogues of today.

Other options within the Max Bill family are the 34mm Max Bill Handaufzug (or handwound), the 38mm Max Bill Automatic with date, the 38mm Max Bill Mega with radio controlled movement to allow for atomic clock accuracy through radio signal reception, the 38mm Max Bill Quarz (not a typo) and the 32.7mm lady’s Max Bill Damen.

All are available with multiple dial colours, Arabic numerals or baton markers, steel, PVD black or PVD gold and various straps or a mesh bracelet.

The 34mm Handaufzug is an intriguing option within the Max Bill collection. It is the most relevant to the original in size and movement. It can be worn as a wonderful homage to the original by gentlemen and by females who appreciate stylish timepieces with mechanical movement as well.

Looking like a sophisticated gentlemen of the sixties in the 34mm Handaufzug.

The 34mm Max Bill Handaufzug looks superb on my wife’s dainty wrist.
max bill Handaufzug
Max Bill Handaufzug. Reference 027/3004.48. £740
Image courtesy of Junghans


max bill Automatic
Max Bill Automatic. Reference 027/4000.04. £1040.
Image courtesy of Junghans


max bill MEGA Solar

Max Bill Mega. Reference 059/2021.04. £890.
Image courtesy of Junghans


max bill Quarz
Max Bill Quarz. Reference 041/7857.04. £560.
Image courtesy of Junghans
max bill Damen
Max Bill Damen. Reference 047/7850.04. £560.
Image courtesy of Junghans
Junghans Max Bill Edition Set 2020
Max Bill 2020 box set. Chronoscope plus Automatic Kliene. Reference 027/4018.02. £2415.
Image courtesy of Junghans


Conclusion

The Junghans Max Bill is an indulgent breath of fresh air in the over-subscribed luxury watch market where excessively designed utility timepieces have reached new levels of ubiquity in recent times. The reason for this is that brands need to make an aesthetic mark in the minds of browse weary customers. Junghans have the luxury of offering the gorgeous Max Bill that has remained relevant since its release 60 years ago and will remain so infinitum. This is a reflection of Herr Bill’s much lauded genius within the confines of the Bauhaus design principles.

A single glance at a Max Bill timepiece has the onlooker trying to work out the individual elements that have snared them. However, this is nigh on impossible because the Max Bill blueprint subscribes to harmony within all constituents.

People often think that a simple, classical watch dial is easy to create. However, this could not be further from actuality because you have less to work with to make a unique statement of integrity. This is why the Junghans Max Bill has stood the test of time (pun intended). The standard design philosophy for all new timepieces on the market in today’s impact driven world is to create something contemporary. Something that that will catch the eye. And in the cases (again pun intended) of the uber expensive wrist watches, something that will aid the creator’s aspirations of producing a status symbol.  

This is why the Max Bill continues to delight those that have intrinsic style and panache. Not a single aspect is superfluous. Despite being one of very few, every single visual nuance is an identifier within a concept that epitomises the “less is more” edict to which all great designers subscribe. The Junghans Max Bill is, quite simply, ocular indulgence of the highest order and mirrors our own aspirations for perfection upon our chosen path.

Brightening the days and lives of refined and cultured people since 1961

All words by Richard Atkins. All images by the author and Junghans, unless otherwise stated. This article may not be reproduced in part or in whole without the permission of the author.

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Hamilton Khaki Pilot Converter Chronograph https://amjwatches.co.uk/blog/hamilton-khaki-pilot-converter-chronograph/ https://amjwatches.co.uk/blog/hamilton-khaki-pilot-converter-chronograph/#respond Wed, 06 Jan 2021 14:55:08 +0000 https://amjwatches.co.uk/blog/?p=2325 Hamilton Khaki Pilot Converter Chronograph. Introduction. So called Pilots watches are ten a penny in the luxury watch industry. If you take the vague premise of legibility and an easily operated crown as pre-requisites you can see how. It’s not a difficult brief to fulfil. Some watches do pay particular homage to the big dialled, …

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Hamilton Khaki Pilot Converter Chronograph.

Converter Auto Chrono
Image courtesy of Hamilton


Introduction.


So called Pilots watches are ten a penny in the luxury watch industry. If you take the vague premise of legibility and an easily operated crown as pre-requisites you can see how. It’s not a difficult brief to fulfil. Some watches do pay particular homage to the big dialled, bold numbered, large-crowned offerings from the inauguration of this type back in World War II when pilots depended on these tools to calculate distance, fuel range, etc. These were the most lauded of pilot’s timepieces because they were used by the most revered airborne heroes, the daredevil fighter pilots. However, there was also a requirement for pilots of long haul, less risky flights to have a wrist worn calculator, back when all cockpit instrumentation was analogue. Willy Breitling saw a necessity in his field of aviation watches and the wristwatch with a circular slide rule was born in 1942 with the original Chronomat, offering simplistic mathematical solutions, and then perfected for aviation purpose in 1953, at the bequest of AOPA, with the Navitimer.


And, inevitably, there it is. I now have to address the massive Daddy African Elephant with big flappy ears trumpeting in the room: The most prevalent reaction to viewing the Hamilton Converter range for the first time will be: It’s trying to be a Navitimer. However, we should put that into perspective for a moment. If Hamilton is trying to create a Navitimer clone, then surely it also should be north of £6000. Instead what Hamilton are trying to achieve is create yet another superb timepiece for their admired Khaki Aviation catalogue. Many of which are direct descendants to timepieces that were chosen by Air Forces the world over. So, unlike other luxury brands, who could have been on a hiding to nothing by creating a watch with a circular sliderule, Hamilton have history and integrity in this sector and an uncanny way of creating highly desirable wrist watches at way below the price point you were expecting. Let’s put that to the test quickly. The aforementioned, and glorious I have to admit, Navitimer currently retails for £6810. 

https://amjwatches.co.uk/breitling/navitimer.html


The Hamilton Converter Chronograph with additional day display, a useful 10 bar water resistance (against the Navitimer’s 3 bar), a silicon hairspring offering superior anti-magnetism (more on that later), a scratch resistant sapphire bezel and screw down crown (the Navitimer’s isn’t) retails for how much would you think? Well, I don’t think halving it at £3000 would cause any overpricing accusations towards Hamilton. Nope. Not even close. What about taking another £1000 of that (you can do a lot with £1000). Getting there. The Hamilton Khaki Pilot Converter Chronograph on bracelet retails for £1830. £5000 pounds less! 


I apologise to Breitling for making this comparison seem accusational because the Navitimer’s fit and finish is far superior, the Navitimer bracelet is second to none and the Calibre 01, with its from-the-ground-up in-house design and multiple useful features is in a different league. And some may argue that I’m missing the point. I gladly concede. There is a luxury factor to consider. However, I would again argue that the Hamilton Converter is a bona fide luxury timepiece on many levels. Again, more on that later.

Just to quieten the Breitling fan boys: I have owned eight Breitlings in my collecting past, one of which was a beloved Navitimer. Moreover, when my friend was interested in a sentimental purchase from his wife recently and specified “timeless design that will last me the rest of my life” I told him to buy a Navitimer 01 43mm black dial on leather strap, with a consideration of retrospectively adding the exemplary five link bracelet for a future celebration.

So, getting back to my original point: We should not compare this superb entry into the Hamilton catalogue to the iconic pinnacle of pilot’s watches, the Navitimer. Just don’t do it.

Specification.


The Converter chronograph is powered by Hamilton’s H-21-Si movement, which is based on the respected Valjoux 7750. It has been enhanced in-house with an anti-magnetic silicon hair spring, allowing for carefree use near the everyday abundance of magnetic fields. A power reserve of 60 hours guarantees longer than average autonomy. As befits a utilitarian timepiece, minimal decoration comes in the form of simple radial patterns that add depth and character to this venerable movement.


The 44mm surgical grade stainless steel case with sapphire glass front and back has a reassuring 100m water resistance. Not only does this mean the wearer never have to consider accidental, movement-threatening moisture ingress but it also means that the movement is hermetically sealed within. Subtle contrasting edges, meticulously detailed in either full polished or satin enhance, the overall appeal of this handsome tool watch.


The dial beguiles with exquisitely executed sunburst and fumé effects. The hands are a cross between sword and syringe styles, both of which are pilot watch favourites.


The focal circular slide rule is capable of multiplication, division, kmph to mph or nautical miles, currency conversions, calculating ground speed, distance travelled, fuel consumption and converting volumes, weights and lengths. Apart from the pilot friendly ground speed and fuel consumption all other tools could be utilised day to day. Fear not, you do get a comprehensive manual just for the slide rule. The bi-directional bezel can be positioned accurately with a double coin edge.


Superluminova© is applied to the hands and hour markers.


Three models of the Chronograph are available: The steel on steel example (reference H76726130) I have been generously loaned by Andrew Michaels Jewellers plus a steel on leather and a PVD black/gold on leather. For that extra bit of indulgent glamour, the black and gold version is beautiful to behold. The PVD red gold bezel, hands, crown, pushers and dial accents unite seamlessly with the gorgeous dial. The PVD black case is a brave, yet triumphant, choice to create a contemporary bi-metal option.

Converter Auto Chrono
H6007671061 on leather strap £1755.
Image courtesy of Hamilton

 
Converter Auto Chrono
H6007671071 with PVD black and gold case on leather strap. £1890
Image courtesy of Hamilton


Furthermore, there is a family of Converter 42mm Autos and Converter 44mm GMTs to add to the stable. Both have 80 power reserves from Hamilton’s pseudo inhouse movements, courtesy of stablemate ETA.

Converter 42mm Auto

 H76635730. £1080.
Image courtesy of Hamilton


H76625530. £1080
Image courtesy of Hamilton


 H76615530. £970
Image courtesy of Hamilton


H76615130. £1035  
Image courtesy of Hamilton

                                                                           

Converter 44mm GMT                                  

Converter Auto GMT
H76715540. £1260
Image courtesy of Hamilton


Converter Auto GMT
  H76715140. £1325   
Image courtesy of Hamilton

                                                                                                                                                               

Conclusion.


The Hamilton Converter Chronograph has literally turned my thinking upside down. Normally, I would introduce a timepiece with a couple of paragraphs, wade into the specifications and unburden myself in the conclusion as to why, or why not, you should consider such and such timepiece. However, I was so adamant to give the Converter its own identity that I top loaded this article.

I now simply find myself imploring you to take this superb watch, regardless of price, seriously and ask you to consider what you want or need from a pilot’s watch. If you want history, something produced by a top 5 brand, a full in-house movement and class leading fit and finish then buy the other watch. If you want practicality, accuracy, wonderful detailing, anti-magnetism, an effective water resistance and £5000 in your pocket then buy this one.

Its not all a tickety boo bed of roses though. One aspect of the Converter I am disappointed in is the lack of Chronometer certification. The H-21-Si is capable of this, as proven in the Limited Edition X-Wind 1918 which I own. I appreciate that there would be a price increase but weighing up peace of mind through guaranteed accuracy would be worth it, especially given that the Converter Chrono is such a bargain there is room for a justified incremental price adjustment.


I must give a quick shout to the Converter Auto and Converter GMT models, which are strikingly attractive timepieces at affordable prices and include that practical slide rule calculator. You don’t get the anti-magnetism assurance of the silicon hairspring but you do get a very impressive 80 hour power reserve. And yes, I know, they have a passing resemblance to the Breitling Navitimer 38.

So, to sum up: The Hamilton Khaki Pilot Converter Chronograph will offer you the highest level of functionality and useful information from a timepiece of this variant. It will give years of stress-free performance. It can, rightfully, be regarded as the only watch you’ll ever need. It is endowed with well thought-out, perfectly executed design flourishes throughout. Finally, it is a bargain. None of this is subjective. Therefore, if you appreciate the stunning dial embellishments, the lustre of the sapphire bezel and the handsome case with multi-layered bracelet then you and your wallet will be thankful Hamilton have released yet another must have timepiece. My collection of Hamilton timepieces is constantly at risk of expanding.


All words by Richard Atkins. All images by the author, Hamilton Watches and Breitling Watches, unless otherwise stated. This article may not be reproduced in part or in whole without strict permission.

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Grand Seiko 60th Anniversary Limited Editions https://amjwatches.co.uk/blog/grand-seiko-60th-anniversary-limited-editions/ https://amjwatches.co.uk/blog/grand-seiko-60th-anniversary-limited-editions/#respond Wed, 06 Jan 2021 14:37:58 +0000 https://amjwatches.co.uk/blog/?p=2310 Grand Seiko 60th Anniversary Limited Editions. Introduction It’s hard to believe that Japan only opened its borders in the 1850s. To allow it to conform with the rest of the world, its patriots and residents had to change many aspects of the way they had conducted their lives. One of these fundamentals was time telling. …

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Grand Seiko 60th Anniversary Limited Editions.


Introduction

It’s hard to believe that Japan only opened its borders in the 1850s. To allow it to conform with the rest of the world, its patriots and residents had to change many aspects of the way they had conducted their lives. One of these fundamentals was time telling. Up until this point Japan had utilised a variable hours system with traditional Wadokei clocks. This protocol is compared to the 24 hour system below. I’m sure it made perfect sense to them.


In the last twenty years of the 19th century a new generation of Japanese horologists and timepiece manufacturers emerged.  Created in 1881, Seikosha (meaning House of Exquisite Workmanship) was one of these new brands that transpired under the adroit leadership of the forward thinking and motivational 21 year old Kintaro Hattori. 

 Kintaro Hattori


In typically respectful grace his workforce took to heart his most famous saying “Always stay one step ahead of the rest”. Soon retitled simply Seiko, this horological power-house created:

  • Its first wall clock in 1892
  • Japan’s first pocket watch in 1895 
  • Japan’s first wristwatch in 1913
  • Japan’s first in-house movement when it became independent in 1940 with the creation of its first anti-shock and anti-magnetic hairspring
  • Japan’s first wrist chronograph in 1965 
  • Timepieces that would beat the Swiss in the Neuchatel Chronometer competition in 1968 with the first three places (before being kicked out of the competition)
  • The world’s first quartz watch in 1969
  • The world’s first automatic chronograph, again in 1969
  • The world’s first Kinetic movement in 1988 
  • The revolutionary Spring Drive movement in 1999
  • The world’s first analogue GPS Solar watch in 2012.

In amongst all this endeavour and brilliance came the eponymous Grand Seiko in 1960. A brand within a brand like no other. The concept and philosophy for this new branch of the industry behemoth was to create the ideal timepiece born out of pure watchmaking, with precision, beauty and legibility as its watchwords (if you’ll pardon the pun).  Seiko recently realised that they had created something truly exceptional with their high-end offspring when they announced that Grand Seiko was to become its own entity.


This year, 2020, marks the 60th year since we were witness to the first ever Grand Seiko. The number 60 is always an important one in horology but it has a deeper meaning to the Japanese who relate it to new energy and re-birth. 

This illustrious history commenced with the first ever Grand Seiko which was exquisite in its design and finer details. The style of Grand Seiko was augmented in this very model with the famous diamond polished, sharp-as-a-sword, hands and applied markers. The movement had a level of accuracy that was equal to the recognised chronometer standard of the time.


These first models are now highly sought after and stand up to the closest of scrutiny over half a century later. This embodies the attitude of the Grand Seiko team from day zero: To create something that will last for ever, both in design and mechanically. Paradoxically, these early Grand Seikos can be considered timeless. This first model, introduced in December 1960, was produced with a hand polished gold case. A platinum version was also available, costing 140,000 yen (or just over £1000, the equivalent of £20000 today). This brave decision was immediately vindicated when they sold out quickly. This must have seemed a mind-boggling amount for a wristwatch to most people in Japan at the time. However, to paraphrase Bob Dylan, times they are a changin’, constantly. Grand Seiko’s latest platinum watch, the limited edition SBGW263, retails for £87000 and they’ve all sold out.

The full Platinum SBGW263


As successful as the original Grand Seiko was the conglomerate of professional artistes were not assembled to rest on their laurels. In 1964 the Self Dater was released as a more practical alternative. It had a date function and was water resistant to 50m.

Grand Seiko Self Dater


1967 was an important year for Grand Seiko. Possibly the most important. The infamous and much heralded 44GS was released. The movement was the most accurate 4Hz mechanical watch on the market. However, it was the contemporary aesthetics that would establish the design philosophy for Grand Seiko going forward.


In the very same year the 62GS was released which was the first Grand Seiko with an automatic movement. The placement and recessed architecture of the crown emphasised the advantages of this.


In 1968 the first Grand Seiko Hi-Beat was released. This revered movement (then the 61GS, now the 9S85) is still the only production manufactured 5Hz movement in the world.


Another year, another significant model. In 1969 Grand Seiko created the 61GS VFA (Very Fine Adjustment) which was regulated to an unprecedented 1 minute per month. Accuracy of this level was unheard of in a production timepiece at this period. That was, of course, until parent brand Seiko released the Astron Quartz on 24th December of the very same year. The horological world was never the same again.


Speaking of quartz: 1988 witnessed Grand Seiko start to develop their own quartz regulated timepieces. Straight away the 95GS was accurate to a ridiculous 10 seconds per year, which far exceeded any other quartz movement available.


However, it wasn’t until 1993 that the Grand Seiko quartz movement, the 9F series, that we all know and love today was released. For me this movement epitomises the mind-set and aspirations of the Grand Seiko unit. It is described in-depth through my very own Grand Seiko 9F quartz here:

https://amjwatches.co.uk/blog/grand-seiko-quartz-review-sbgx263/


2003 saw the release of a Grand Seiko capable of withstanding 40000A/m magnetic force (the equivalent of 500 Gauss). This far exceeded the minimum requirement tenfold.


In 1999 Seiko released the most accurate mechanical based movement ever seen, the triumphant Spring Drive. Grand Seiko adopted this movement in 2003, having elevated the fit and finish to extraordinary levels, as the world had to come to expect. However, in 2007 the 9R8 series was released which included a Spring Drive, Chronograph, GMT with date display and power reserve. What more could you possible expect from a mechanical movement? The perfect sweep of the chronograph seconds hand ensured it was the only stopwatch on the market that had a true reflection of your measured time, and not to the nearest 6th of a second. The movement was chosen for Space Traveller Richard Garriott’s watch which was designed specifically to go into space. This remarkable timepiece is discussed in depth here:

https://amjwatches.co.uk/blog/seiko-ananta-spring-drive-review/


Grand Seiko remained as one of Asia’s best kept secrets until 2010 when the smart decision was made to offer the luxury branch of Seiko to all reaches of the globe. Horological cognoscenti the world over soon acknowledged and appreciated the flawless and exquisite models created by the artisans in Japan.

In 2014 Grand Seiko won the highly coveted Petit Aiguille award at the Grand Prix d’Horlogerie de Geneva for the 9S86 which combined a Hi-Beat movement with GMT function.


2016 saw Grand Seiko make a major leap forward in respect of design and materials. The brand had been founded on the most beautiful classic timepieces. The full ceramic Spring Drive chronograph is still a gorgeous timepiece due to precise chamfered edges that plays with light and shade, which is a common Japanese design axiom.


2016 saw the release of the Spring Drive 8 Days Power Reserve. This was the first movement conceived and developed by the Micro Artists Studio, set up by Seiko to bring the best of the best together. Artisans included watch makers, enamel craftsmen, and lacquer artists. This group of extraordinary talents are most famous for producing the new line of Credor models. Please see here:

https://amjwatches.co.uk/blog/credor-spring-drive-eichi-ii-10th-anniversary/


In 2019 Grand Seiko paid tribute the one of the greatest watch movements ever created, the Spring Drive. To commemorate this pioneering invention Grand Seiko released the 9R02 movement. With manual wind, 84 hours of power reserve from one single barrel and their brand new Torque Return System (which enables the 84 hour autonomy) this was an incredibly pertinent fanfare.


Alongside many luxury brands this may not seem like a substantial output for 60 years of hard toil. However, each new release is considered. It has to have a significant benefit to the wearer over previous models, not just a blue dial added here and a DLC case added here. Every single model highlighted above was not only a conclusion of in-depth research and development, that resulted in technological premiers, but also conformed to Grand Seikos original statement of intent: precision, beauty and legibility. This always benefited the end user.

The four new models


So, 60 years well spent and well worth celebrating. Four new Limited Edition models were introduced to commemorate this impressive birthday. 


All of them sport a gorgeous dial in Grand Seiko’s corporate colour, blue. There are already blue dials within the catalogue, but none are as vibrant and as celebratory as these four stunners. Two models are variations on existing models. The other two are brand new, complete with the premier of their most recent movement. 

The 9F85 has a practical and quick adjustment for the hour hand in integer increments. This allows the wearer to adjust for new timezones when travelling and also for daylight savings adjustments without losing the accuracy of a ridiculous 5 seconds per year for the SBGP007 and 10 seconds per year for the SBGP015. 


The incredible accuracy of the SBGP007 is highlighted by the five pointed star above the six O’clock marker.

The rare vivid red seconds hand leaps from the unique dial to offer a striking contrast. 

What is not immediately obvious is that the case is all new. The rounded curves of the current quartz collection have been replaced with sharp lines that refract light.

Photo of Quartz Limited Edition SBGP007


The case back is engraved with the individual Limited Edition number and decorated with a solid 18ct gold disc with the original Grand Seiko logo.

At 40mm diameter and 10.8mm thickness the SBGP007 is the perfect size for comfort and legibility. Only 2500 examples will be produced. Retail price is £3350.

The SBGP007 is further enhanced by the discrete ‘ghost’ pattern of 2020 throughout the dial.


The second of the new 9F85 powered models is the SBGP015, which premiers a new case design with a blue ceramic bezel that precisely mirrors the Grand Seiko blue dial. The angular contours and razor-sharp edges showcase Grand Seiko’s unique Zaratsu polishing.


The sports case is 40mm diameter by 12.4mm thickness and offers utilitarian credentials with a screw down crown, a water resistance of 200 meters and antimagnetic rating of 16000 A/m. The hands and markers are coated with Lumibrite®, which is far brighter and more efficient than the usual Superluminova® used throughout the industry. The SBGP015 is limited to 2000 pieces worldwide. Retail price is £3350.

To celebrate their diamond anniversary Grand Seiko have released a rare lady’s watch in the form of the STGK015. This stunning commemorative limited Edition has 45 diamonds across the bezel and hour markers. The Grand Seiko blue has been transposed to wonderful effect on the Mother of Pearl dial. This elegant and sophisticated lady’s timepiece has a powerful presence. The ethereal Mother of Pearl and the sparkling diamonds are constantly changing, to give a watch that will delight for a lifetime.


Despite the sapphire exhibition case back, highlighting the 9S27 movement designed specifically for the lady’s collection, the STGK015 has a water resistance of 100m. The case is 27.8mm in diameter and 11.2mm thick. This is a rare beauty with only 300 pieces created.


Finally, we have the SBGH281. This Limited Edition of only 1500 pieces is based upon the flagship case design, first brought to prominence and made legendary in 1967 with the 44GS. 


The vibrant sunburst blue dial works in unison with a bold red seconds hand and script. A unique detail, amongst these anniversary editions, is the solid 18ct gold GS logo which is hand applied at the top of the dial.


The highly regarded Hi-Beat 9S85 movement, which beats within at 36000 vph, offers a guaranteed accuracy of +5 to -3 seconds per day and a 55 hour power reserve, which is made possible by the in-house hairspring technology. The SBGH281 retails for £5350.


From the Grand Seiko website:

In honour of the 60th anniversary, the Grand Seiko symbol is in gold and the seconds hand is in a vivid red, colours that, together, symbolize a sunrise and all the new energy that a new dawn brings.

I love how the red script announcing the Hi-Beat movement pops right out of the dial. It’s announcing that the SBGH281 is powered by one of the greatest mechanical movements ever made.


All the Grand Seiko 60th Anniversary Limited Editions come in a special presentation box.

Conclusion


The desire to celebrate is redolent of the old adage, “Life is too short”. 60 years for us mere mortals is a long time, and it is definitely worth honouring this particular anniversary. What is most impressive about Grand Seiko getting to 60 years old is that they have stayed true to themselves and loyal to their original aspirations. This is the benefit of being associated with one of the world’s biggest watch brands. Let them follow the trends whilst constantly having to re-invent themselves to stay en vogue. 

Grand Seiko has been astute with the release of these four models. They do not dilute the current catalogue in any way. Some brands just have way too many limited editions or commemorative pieces. 60 years of this incredible brand needed to be celebrated and Grand Seiko have successfully done this with their usual character, charm, eye for detail and ground-breaking technology.

The use of the Grand Seiko blue was a given and must have taken all but one minute of the original design meeting. It is the clever use of red accents in the gent’s models and the glorious and transmogrifying Mother of Pearl dial for the lady’s model where the design engineers earnt their bonuses.

Each of these triumphant releases are a celebration in themselves.

I’m not entirely sure I’m in touch with my feminine side, (my long hair is because I have designs on being a free-spirited hippy, not a lady-boy), but even I can marvel at the effervescence of the STGK015. It is simply beautiful to behold. I’m also delighted to see that the full manufacture 9S57 automatic movement has been employed here. Ladies are normally pampered to the point of being demeaned by watch brands with their high volume over the counter quartz movements in an expensive diamond shod wrist watch. Sophisticated females know how to operate and look after a mechanical movement. Grand Seiko are correct in allowing the fairer sex to enjoy and indulge in the hand made mechanical beauties from their brilliant watchmakers. 

Photo of Women’s Automatic Limited Edition STGK015


The SBGP015 is the revelation amongst this group. It stands alone within the entire Grand Seiko collection. It has a new movement with a useful and practical addition, a new case design and a ceramic bezel. The latter not only adds a unique aesthetic to the 9F line but is impervious to scratches and blemishes. This colour-matched bezel blends with the Grand Seiko blue dial effortlessly. I say ‘effortlessly’ with regards to our optical perception, but I imagine it took a great deal of exertion and determination from the tireless material researchers at Grand Seiko. The strong new case design highlights the millennia old technique of Zaratsu polishing with its multifaceted design.

Photo of Quartz Limited Edition SBGP015


The SBGP007 is the unpretentious ‘sleeper’ of the pack. Looking for all the world like a blue dial/red hand version of the current 9F line up, this remarkably able wristwatch also houses the brand new and intelligent jump-hour movement but has been hand regulated to +/- 5 seconds per year. If that doesn’t grab your attention, then how about the fact that it is guaranteed to be 99.99998% accurate! This world-class movement is only acknowledged by a small gold five-pointed star. The subtle aesthetics are also more involved than immediately obvious. The simplest dial here affords the largest real estate of sunburst Grand Seiko blue and the gold medallion on the back offers the lucky owner a discrete indulgence.


The SBGH281 is the most pertinent to Grand Seiko’s heritage as it recalls one of their greatest and most championed case designs and utilises, arguably, the best three hand movement in existence when considering finish, performance, craftmanship, reliability, accuracy and price point. The dial is my favourite amongst these fab four. The solid 18ct gold GS logo adds a touch of luxury and the red AUTOMATIC HI-BEAT 3600 script offers a confident flourish of contrasting colour to the dominant ebbing and flowing of the sunburst dial.

Photo of Hi-Beat 36000 Limited Edition SBGH281


You will all have your favourite 60th Anniversary Limited Edition. This diversity is a reflection of the eclectic nature of these well thought out commemorative timepieces. Only the celebratory blue dial is homogenous. What is not subjective is the quality of design, finish and movements throughout. Each one has its own distinctive elements and character. Grand Seiko sings the blues.


Happy Anniversary Grand Seiko. I can’t wait to see what you come up with for your Sapphire Jubilee.

All words by Richard Atkins. All images by the author, Seiko or Grand Seiko, unless otherwise stated. This article may not be reproduced in part or in whole without the permission of the author.

 

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Doxa SUB 200 https://amjwatches.co.uk/blog/doxa-sub-200/ https://amjwatches.co.uk/blog/doxa-sub-200/#respond Wed, 06 Jan 2021 14:22:30 +0000 https://amjwatches.co.uk/blog/?p=2304 Doxa Sub 200 Introduction The name Doxa may seem infantile in the world of luxury horology due to a 15 year Quartz crisis forced sabbatical from the early 1980s to the late 1990s but was, in fact, created by George Ducommun way back in 1884 as Fabriques Doxa. Georges, a trained watchmaker decided on the …

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Doxa Sub 200


Introduction

The name Doxa may seem infantile in the world of luxury horology due to a 15 year Quartz crisis forced sabbatical from the early 1980s to the late 1990s but was, in fact, created by George Ducommun way back in 1884 as Fabriques Doxa. Georges, a trained watchmaker decided on the name Doxa because it translates from Greek into English as Glory. If you wish to learn more about the illustrious history of this fantastic watch brand, please see my article at www.amjwatches.co.uk/blog/History-of-Doxa/

Georges Ducommun alongside the Watch Factory he created in 1889


Doxa became a rare breed in the luxury watch market in 1963 when they started designing and creating watches solely intended for amateur and professional divers alike. These are so fit for purpose to the point where anything superfluous is discarded. They could never be considered pretty. Which is just as much of the appeal for most.

The fruition of Doxa’s labours in this field was the fabulous Doxa SUB 300 Sharkhunter 11804-4, released in 1963. The 43mm case was a true rarity back in the day and the reason that they have become popular with collectors of vintage dive watches in the present due to the contemporary case size. Remarkably the 300m water resistance (impressive itself back in the early 1960s to the point where Doxa added an inscription on the dial declaring “Super Waterproof”) was achieved without employing a screw down crown. However, we should be reminded at this juncture that the water resistance of the case is permitted by the gaskets within and not the connection of the crown to the case. Thankfully, Doxa have equipped the new SUB 200 with a screw down crown, simply to prevent accidental lateral movement rendering the gaskets redundant.

The modern day SUB 200 with screw down crown


Revered by professional divers and watch collectors the world over and often considered to be the complete dive watch design the SUB 300T took the limelight away from the SUB 300 Sharkhunter 11804-4, but let us not forget that the wonderful SUB 200 we are presented with today represents the commencement of this outstanding horological story and one that can be purchased for less than £1000.

Doxa’s attitude gained recognition straight away, in the mid-1960s, when legendary sub-aquatic explorer, Jacques Cousteau, adopted the brand. Just like Doxa, Jacques was the first of his kind and has been emulated ever since. Jacques chose Doxa to assist him in creating the ultimate diver’s timepiece. This would evolve into the Doxa SUB 300T orange we know and love to this day. Bequeathed a modern day makeover itself, the story behind the modern SUB 300T family with its intoxicating selection of eclectic colours can also be discovered in my article mentioned above.

Specifications.


The surgical grade 42mm stainless steel case is elevated from pure utility with exquisite lines highlighted by contrasting polished and satin edges. Although seemingly conservative for Doxa, this constant design intonation can regularly lead to studious examination, which is a rare treat for the owner of a tool watch. The case sides are enhanced by subtle ever-increasing bevel edges that complement the overall design whilst having a primary objective of wearer comfort. 


As anyone who has read my previous articles will know, I absolutely adore a domed sapphire glass. To be able to present this historically pertinent, yet normally cost prohibitive, feature on a sub-£1000 wristwatch is truly astonishing. For me it makes the watch. Interestingly, despite the delightfully exaggerated protuberance of sapphire glass, distortion to the dial is kept to a minimum and hardly ever obscures time reading. Despite the stunning case, perfectly flat sapphire bezel, cream lume and beads of rice bracelet the SUB 200 could have been rendered into obscurity within a bloated market. But, supplementing all of these glorious details with a double box glass pushes the Doxa 200 to the top of the league of a myriad of sensibly priced mid-60s dive watch reinterpretations currently on the market.


The SUB 200 is available on the brand’s famous and instantly recognisable beads of rice bracelet, and yet we’re still at under £1000 whilst opting for this well engineered accoutrement with solid machine clasp unit. An integral diver’s extension and fine adjustment are also included to ensure this unique bracelet remains comfortable through hot and cold extremes. Alternatively, for a little less money, you could opt for the originality of the incredibly comfortable FKM rubber strap. The beads of rice bracelet, especially, adds to the divergent convergence of semi-circular and planed-flat amalgamations found, at its extreme, with the domed sapphire glass rising from the flush bezel.

Why not retro-fit the FKM rubber strap for the full 11804-4 effect.


The 120-click bezel has a scratch resistant sapphire insert, which is another high-end component not normally witnessed at this price point. This also allows the bezel to have practical Superluminova© numbers. Although, I do have to remark that these are nowhere near as bright as the hands and dial markers (see luminosity image below). It has a relatively stiff operation compared to most on the market. However, this is nowhere near inoperable due to the grip provided by the sharp-edged peaks and troughs of the bezel edge. There is a confident click into each position during the rotation.


Legibility, through contrast, is assured with the adoption of polished rhodium plated hands for the black dial version and full black hands for the various coloured versions.


Even the cream coloured, vintage inspired lume has been meticulously thought out. The applied material on the hands is the same width as the applied material on the hour markers, which is the same width as the lume that is applied to the bezel. To distinguish between the two when fully immersed in deep water or darkness, the hour hand has a slight gap in the lume material, which is identical to the original 11804-4 SUB 300 back in 1963. This is a clear reflection of how Doxa has always considered every single aspect of their fit-for-purpose timepieces.


The fully automatic mechanical movement within is based on the tried and tested ETA 2824-2 25 jewel movement, running at 28,800vph, with 38 hours power reserve. ETA is the largest supplier of quality high volume movements in the world, supplying to manufacture-capable Hublot, Chopard, Breitling, Ball Watch, Tudor and Tag Heuer, to name a few.

Needless to say, the Sharkhunter black is back. However, this is complemented by an exotic array of coloured dials for which appropriate names are given. All can be chosen on the beads of rice bracelet or harmoniously matching FKM rubber straps: The Searambler is silver, the Caribbean is dark blue, the eponymous Aquamarine is, errr, aquamarine, the Divingstar is yellow and the Professional is the infamous orange.

Conclusion.


The release of the SUB 200 by Doxa a couple of years back wowed press and consumers alike. Its easy to understand why. I’m not sure you could possibly expect more from a sub-£1000 dive watch. I appreciate I keep harping on about the price, but it is an important aspect every time we consider a luxury purchase. Knowing you are getting value for money is instant gratification, makes it easier to justify a non-essential procurement to one’s self and one’s partner, and, most importantly, is a reflection of the integrity of the brand we are investing in. No one wants to be ripped off.

It is nigh on impossible to match the Doxa SUB 200’s huge specification and covet-ability, through historical relevance, at this price point. Normally, if a brand chooses to sell at the psychological three figure price point, instead of wandering in to the seemingly much more expensive four figure segment, corners have to be cut on quality and choice of materials. The SUB 200 has a list of admirable attributes that place it in a value proposition position all of its own.


However, you don’t not need to take my word for it. The Doxa SUB 200 was nominated for the 2019 GPHG (Grand Prix d’Horlogerie de Genéve, the most important worldwide awards within the horology industry.


The SUB 200 is an absolute pleasure to wear day to day, in all situations. Granted the more vibrant of the colourways may be more suitable for the boardwalk than the boardroom but there is no definitive reason to need to take off your SUB 200 during normal everyday situations.

The only true conundrum when buying your SUB 200 is which colourway to choose. Although at this remarkable price point there is a solid argument to purchase the originality imbued black Sharkhunter for the workplace and a more cheerful, less ubiquitous colour combination for down time. 


The SUB 300T will always remain the flagship model for Doxa. But the SUB 200 offers that rare second watch within a brand’s catalogue that is equally a must have and would be the perfect companion, offering the same level of quality fit and finish, the same materials and movement, similar specifications and is, arguably, a more preferable daily wearer at half the price.

Many considered Doxa to be a one-trick pony, but with the SUB 200 they have conjured up something else magical indeed.

So, as an aspiring watch reviewer I realise I’ll lose integrity if I do not present a balanced perspective. This means calling Doxa out on their mistakes and misdemeanours with the SUB 200. With that in mind all I can present to you as a detrimental depiction is the Doxa fish logo on the crowns throughout the entire range is always orange. That’s it. Take it or leave it.

Facetiousness aside, it would be cruel, to the point of pedantry, to expect a full ceramic bezel, an applied date window surround or folding adjustable clasp for the rubber straps, etc, on the SUB 200, because that is not what this watch is about. Trying to elevate this humble, yet brilliant, timepiece into the luxury sector is missing the point entirely. We need to respect this outstanding timepiece for exactly what it is, which makes negative comments or constructive criticism immaterial. The SUB 200 offers the ultimate retro-inspired sports watch for the money. End of.


All words by Richard Atkins. All images by the author or Doxa, unless otherwise credited. This article may not be reproduced in part or as a whole without strict permission.

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